D'Eon de Beaumont, his life and times : $b Compiled chiefly from unpublished papers and lettersHomberg, Octave
History
D'Eon de Beaumont, his life and times : $b Compiled chiefly from unpublished papers and letters
Homberg, Octave
Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810
“Charles-Geneviève-Louise-Auguste-Andrée-Timothée d’Eon de
Beaumont is hereby commanded to lay aside the uniform of a
dragoon, which she is in the habit of wearing, and resume the
garments of her sex, and is forbidden to appear in any part of
the kingdom in other garments than those suitable to women.
“Given at Versailles, August 27, 1777.
“(Signed) LOUIS GRAVIER DE VERGENNES.”
When the Chevalier, at his wits’ end, again objected to the Minister
for Foreign Affairs that his modest means did not enable him to procure
a suitable outfit, Marie Antoinette, affected by the misfortunes of
so intrepid a woman, gave orders (if we are to believe d’Eon and his
biographers) for the outfit to be made up at her own expense. It is
certain, at all events, that Mademoiselle Bertin, the celebrated milliner
and dressmaker to the Queen, was the first to have the singular honour
of enveloping the fiery captain of dragoons in the austere and decorous
petticoats of an elderly spinster of quality. For the rest of his
wardrobe d’Eon had recourse to Mademoiselle Maillot, a humbler milliner,
and to Madame Barmant, “manufacturer of flexible and elastic corsets.”
The Sieur Brunet, wigmaker, Rue de la Paroisse, received an order for a
“headdress composed of three tiers.”
While so many nimble fingers were arranging ribbons and laces or
stiffening with whalebone the stays destined to cause d’Eon so much
discomfort, the Chevalier took advantage of the few days during which he
was still at liberty to wear his uniform, and hastened to take the coach
which was to bear him to his old mother.
He reached the little Burgundian town on September 2. If it is true that
towns have, as it were, faces in which we are pleased to recognise the
characteristics of their most famous men, Tonnerre seems wonderfully to
symbolise d’Eon’s disposition and to illuminate his memory. Rocky and
mountainous, it has at first sight a bold and animated air. In a brisk,
determined manner the streets scale, as though to storm, the rock whence
the church of Saint Pierre commands the town, surrounded by the double
zone of the river and a range of pleasantly wooded hills. One might
fancy that the little town, shut up in its natural prison, had put on
that bluff and rebellious look, that somewhat disorderly and straggling
appearance, as a protest against its pleasing but restricted site.
Public-domain text, read in full here on John Shaqi.
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