D'Eon de Beaumont, his life and times : $b Compiled chiefly from unpublished papers and lettersHomberg, Octave
History
D'Eon de Beaumont, his life and times : $b Compiled chiefly from unpublished papers and letters
Homberg, Octave
Eon de Beaumont, Charles Geneviève Louis Auguste André Timothée d', 1728-1810
The Duc de Guines, former ambassador of France in London, received “with
much gratitude the present” which he had asked of d’Eon through the
medium of the Comtesse de Broglie, his sister-in-law. As for the personal
friends of the Chevalier, they never tired of the prints which he heaped
on them, and praised to the full the charm of Latour’s pastel or the
bold grace of Bradel’s engraving. “Your print is superb,” exclaimed
Genêt, “particularly about the eyes, which are those of Bellona herself.
The look is as haughty as if you were face to face with Beaumarchais.
I defy him to bear it. Truth and honesty shine from it, and it is the
thunderbolt which will annihilate him.”
Since death had delivered him from de Guerchy, d’Eon had found in
Beaumarchais a new and no less determined adversary. Their quarrel had
arisen just as that to which the ambassador had fallen a victim—out of
a question of money. D’Eon did not hesitate to proclaim aloud that he
had been duped by Beaumarchais, and that at the time of their covenant
the latter had appropriated a sum of 60,000 livres, which was to have
been set apart for indemnifying Lord Ferrers. This allegation, to
which d’Eon gave considerable publicity, was welcomed by the enemies
of the author of _The Barber of Seville_, who, naturally enough, were
many. The complacently-told story of the ridiculous romance by which
he allowed himself to be carried away for a time, set court and town
shaking with laughter. For once the celebrated pamphleteer was obliged
to admit that the laughter was not with him, and, after having so
often diverted himself at the expense of his contemporaries, he had to
endure their raillery. Certain impromptu comedies which were performed
at that time in fashionable circles, and some burlesques inspired by
the carnival, which represented him as engaged in making love to the
virile Chevalière, exasperated him beyond measure. The point was all the
more telling as d’Eon amused himself by acting his own part—that of an
artless maiden—with an improvised Beaumarchais. Seeing himself held up
to ridicule in this manner, and accused of such incredible blindness,
Beaumarchais was put out of countenance, and completely lost his temper.
Not knowing how to retaliate, he complained to M. de Vergennes, the
Minister for Foreign Affairs, begging him to vindicate his character from
the calumnies that were being publicly circulated about him:
Public-domain text, read in full here on John Shaqi.
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