Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three PartsGilpin, Richard
Religion
Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three Parts
Gilpin, Richard
Devil -- Early works to 1800; Temptation -- Early works to 1800
5. Fifthly, _All kinds of subtlety are in Scripture directly charged
upon Satan, and in the highest degrees_. Sometime under the notion
of logical fallacies; those sleights which disputants, in arguing,
put upon their antagonists. Of this import is that expression, 2
Cor. ii. 11, ‘We are not ignorant of his devices,’ where the word
in the original is borrowed from the sophistical reasonings of
disputants.[169] Sometime it is expressed in the similitude of
political deceits; as the Scripture gives him the title of a prince, so
doth it mark out his policies in the management of his kingdom, Rev.
xii. 7, expressly calling them deceits, and comparing him to a dragon
or serpent for his subtlety. Sometime he is represented as a warrior:
Rev. xii. 17, ‘The dragon was wroth, and went to make war,’ &c.; and
here are his warlike stratagems pointed at. Mention is made, 2 Tim. ii.
26, of his snares, and the taking of men alive, or captive, directly
alluding to warlike proceedings, [ἐζωγρήμενοι.] The subtle proceedings
of arts and craft are charged on him and his instruments. Men are said
to be enticed, James i., as fish or fowl, by a bait; others deluded,
as by cheaters in false gaming: Eph. iv. 14, ‘By the sleight of men,
and the cunning craft of those that lie in wait to deceive.’[170] The
overreaching of merchants or crafty tradesmen is alluded to in 2 Cor.
ii. 11. All these sleights are in Satan, in their highest perfection
and accomplishment. He can ‘transform himself into an angel of light,’
2 Cor. xi. 14, where he hath an occasion for it; in a word, all
‘deceiveableness of unrighteousness is in him,’ 2 Thes. ii. 10. So that
a general πανουργία, a dexterity and ability for all kind of subtle
contrivances, is ascribed to him, 2 Cor. xi. 3, and that in his very
first essay upon Eve, when the serpent deceived her ‘through subtlety;’
so that whatsoever malice can suggest, or wit and art contrive for
delusion, or whatsoever diligence can practise, or cruelty execute, all
that must be imagined to be in Satan.
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