1. First, He useth his skill _to dress up an object of lust that it may be taking and alluring_. He doth not content himself with a simple proposal of the object, but doth as it were paint and varnish it, to make it seem beautiful and lovely. Besides all that wooing and importunity which he useth to the soul by private and unseen suggestions, he hath no doubt a care to gather together all possible concurring circumstances, by which the seeming goodness or conveniency of the object is much heightened and enlarged. We see those that have skill to work upon the humours of men place a great part of it in the right circumstantiating a motion, and in taking the tempers and inclinations of men at a right time. And they observe that the missing of the right season is the hazard of the design, even there where the object and inclination ordinarily are suitable. There is much in placing a picture in a right position, to give it its proper grace and lustre in the eyes of the beholders. When a man is out of humour he nauseates his usual delights, and grows sullen to things of frequent practice. It is likely Eve was not a stranger to the tree of knowledge before the temptation, but when the serpent suggests the goodness of the fruit, the fruit itself seems more beautiful and desirable, ‘good for food, and pleasant to the eyes,’ [Gen. ii. 9.] Though we are not able to find out the way of Satan’s beautifying an object that it may affect with more piercing and powerful delights, yet he that shall consider that not only prudence, in an advantageous management of things, adds an additional beauty to objects proposed, but also that art, by placing things in a right posture, may derive a radiancy and beam of beauty and light upon them, as an ordinary piece of glass may be so posited to the sunbeams that it may reflect a sparkling light as if it were a diamond,—he that shall consider this, I say, will not think it strange for the devil to use some arts of this kind for the adorning and setting off an object to the eye of our lusts.