Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three PartsGilpin, Richard
Religion
Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three Parts
Gilpin, Richard
Devil -- Early works to 1800; Temptation -- Early works to 1800
4. Fourthly, Satan hath yet a further reach in his enticements, by
_the power which he hath upon our fancies and imaginations_. That he
hath such a power was discovered before. This being then supposed,
how serviceable it is for his end it is now to be considered. Our
fancy is as a glass, which, with admirable celerity and quickness of
motion, can present before us all kinds of objects; it can in a moment
run from one end of the earth to the other; and besides this, it hath
a power of creating objects, and casting them into what forms and
shapes it pleaseth, all which our understanding cannot avoid the sight
of. Now the power of imagination is acknowledged by all to be very
great, not only as working upon a melancholy and distempered spirit,
of which authors give us large accounts,[185] but also upon minds
more remote from such peremptory delusions; as may be daily observed
in the prejudices and prepossessions of men, who by reason of the
impressions of imagination, are not without difficulty drawn over to
the acknowledgment of the truth of things, and the true understanding
of matters; neither is the understanding only liable to a more than
ordinary heat and rapture by it, but the will is also quickened and
sharpened in its desires by this means. Hence is it, as one of the
forecited authors observes,[186] that fancy doth often more toward
a persuasion by its insinuations than a cogent argument or rational
demonstration.
This is no less a powerful instrument in Satan’s hand, than commonly
and frequently made use of. Who amongst us doth not find and feel him
dealing with us at this weapon? When he propounds an object to our
lust, he doth not usually expose it naked under the hazard of dying
out for want of prosecution, but presently calls in our fancy to his
aid, and there raiseth a theatre, on which he acts before our minds the
sin in all its ways and postures. If he put us upon revenge, or upon
lusts of uncleanness, or covetousness, or ambition, we are sure, if we
prevent it not, to have our imagination presenting these things to us
as in lively pictures and resemblances, by which our desires may be
inflamed and prepared for consent.
Public-domain text, read in full here on John Shaqi.
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