Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three PartsGilpin, Richard
Religion
Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three Parts
Gilpin, Richard
Devil -- Early works to 1800; Temptation -- Early works to 1800
Satan’s next engine for the maintaining his possession, is to _keep
all in quiet_; which our Saviour notes: Luke xi. 21, ‘When a strong
man armed keepeth his palace, his goods are in peace.’ He urgeth
this against those that objected to him, that he cast out devils by
Beelzebub, which calumny he confuteth, by shewing the inconsistency of
that with Satan’s principles and design—it being a thing sufficiently
known and universally practised, that no man will disturb or dispute
against his own peaceable possession; neither can it be supposed Satan
will do it, because he acts by this common rule of keeping down and
hindering anything that may disquiet. Breach of peace is hazardous to
a possession. An uneasy government occasions mutinies and revolts of
subjects; yet we might think that, the wages of sin, the light and
power of conscience considered, it were no easy task for the devil
to rule his slaves with so much quiet as it is observed he doth. His
skill in this particular, and the way of managing his interest for
such an end, we may clearly see in John iii. 20, ‘Every one that doth
evil, hateth the light, neither cometh to the light, lest his deeds
should be reproved.’ From which place we may observe—(1.) The great
thing that doth disquiet Satan’s possession is light. (2.) The reason
of that disquietment is the discovery that light makes, and the shame
that follows that discovery. (3.) The way to prevent that light, and
the reproof of it, is to avoid coming to it; and where it cannot be
avoided, to hate it. It is Satan’s business then for keeping all in
peace—(1.) To keep us from the light; or if that cannot be, then (2.)
To make us rise up against it. I shall make inquiry after both these
projects of the devil.
To keep us from coming to the light, he useth a great many subtleties.
As,
Public-domain text, read in full here on John Shaqi.
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