Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three PartsGilpin, Richard
Religion
Dæmonologia Sacra; or, A Treatise of Satan's Temptations: In Three Parts
Gilpin, Richard
Devil -- Early works to 1800; Temptation -- Early works to 1800
[2.] _Secondly_, In this boast of mystery, Satan sometimes takes
another course somewhat differing from the former, and that is to
put men upon _allegorical reflections and allusions_, by which the
historical passages of Scripture are made, besides the import of
the history, resemblances of spiritual truths, which supposeth the
letter of Scripture to be true, but still as no better than the first
rudiments to train up beginners withal, yet withal that the spiritual
meaning of it raiseth the skilful to a higher form in Christ’s school.
At this rate all are turned into allegories. If they fall upon the
first of Genesis, they think they then truly understand it when they
apply the light and darkness, and God’s separating of them, with such
other passages, to the regeneration of the soul. The like work make
they with the sufferings of Christ. But then the crafty adversary at
last enticeth them on to let go the history, as if it were nothing
but a parable, not really acted, but only fitted to represent notions
to us. Allegories were a trap which the devil had for the Jews, and
wherein they wonderfully pleased themselves. How much Origen abused
himself and the Scriptures by this humour is known to many; and how the
devil hath prevailed generally by it upon giddy people in later times I
need not tell you.
The pretence that Satan hath for this dealing is raised from some
passages of the New Testament, wherein many things of the Old Testament
are said to have had a mystical signification of things expressed or
transacted then, and some things are expressly called allegories. Hence
papists determine the Scripture to have, besides the grammatical sense,
which all of us do own, and besides the tropological sense, which is
not diverse or distinct from the grammatical, as when from histories
we deduce instructions of holy and sober carriage, an allegorical and
analogical sense; in which dealing men consider not that the Spirit of
God his interpreting a passage or two allegorically, will never justify
any man’s boldness in presuming to do the like to any other passage of
Scripture; and beside, when any hath tried his skill that way, another
may with equal probability carry the same scripture to a different
interpretation, and by this means the Scripture shall not only become
obscure, but altogether uncertain and doubtful, and unable to prove
anything; so that this doth extremely dishonour Scripture, by making it
little less than ridiculous. Porphyry and Julian made themselves sport
with it upon the occasion of Origen’s allegorizing; and no wonder,
seeing that humour, as one calls it,[240] is no better than a learned
foolery. Notwithstanding this, men are sometime transported with a
strange delight in turning all into allegories, and picking mysteries
out of some by-passages and circumstances of Scripture where one would
least expect them; which I can ascribe to no second cause more than to
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