Much to the dissatisfaction of The Macnamara the men went to the
drawing-room before they had remained more than ten minutes over their
claret. One of the young ladies of the colony had been induced to sing
with the judge's son a certain duet called “La ci darem la mano;” and
this was felt to be extremely agreeable by every one except the bishop's
son. The bishop thanked the young lady very much, and then resumed his
explanation to a group of his guests of the uses of some implements
of war and agriculture brought from the tribes of the Salamander
Archipelago.
Three of the pictures of Mr. Glaston's collection were hung in the room,
the most important being that marvellous Aholibah: it was placed upon a
small easel at the farthest end of the room, a lamp being at each side.
A group had gathered round the picture, and Mr. Glaston with the utmost
goodnature repeated the story of its creation. Daireen had glanced
towards the picture, and again that little shudder came over her.
She was sitting in the centre of the room upon an ottoman beside Mrs.
Crawford and Mr. Harwood. Standish was in a group at the lower end,
while his father was demonstrating how infinitely superior were the
weapons found in the bogs of Ireland to the Salamander specimens. The
bishop moved gently over to Daireen and explained to her the pleasure
it would be giving every one in the room if she would consent to sing
something.
At once Daireen rose and went to the piano. A song came to her lips as
she laid her hand upon the keys of the instrument, and her pure earnest
voice sang the words that came back to her:--
From my life the light has waned:
Every golden gleam that shone
Through the dimness now has gone:
Of all joys has one remained?
Stays one gladness I have known?
Day is past; I stand, alone,
Here beneath these darkened skies,
Asking--“Doth a star arise?”
She ended with a passion that touched every one who heard her, and then
there was a silence for some moments, before the door of the room was
pushed open to the wall, and a voice said, “Bravo, my dear, bravo!” in
no weak tones.
All eyes turned towards the door. Mr. Despard entered, wearing an
ill-made dress-suit, with an enormous display of shirt-front, big studs,
and a large rose in his button-hole.
“I stayed outside till the song was over,” he said. “Bless your souls,
I've got a feeling for music, and hang me if I've heard anything that
could lick that tune.” Then he nodded confidentially to the bishop.
“What do you say, Bishop? What do you say, King? am I right or wrong?
Why, we're all here--all of our set--the colonel too--how are you,
Colonel?--and the editor--how we all do manage to meet somehow! Birds of
a feather--you know. Make yourselves at home, don't mind me.”
Public-domain text, read in full here on John Shaqi.
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