England -- Social life and customs -- Fiction; Guardian and ward -- Fiction; Orphans -- Fiction
Her looks, her words, the gravity with which they were uttered, alarmed
me. In the morning I had trusted implicitly to my innocence for
justification: then I could not understand how facts should condemn me,
when conscience held me guiltless; but now I knew better. I looked at
Cornelius; perhaps he was only astonished; I fancied he seemed to doubt.
All composure, all presence of mind forsook me. I threw myself in his
arms, as in my only place of hope and refuge.
"Cornelius," I cried in my terror, "don't believe it; I don't know what
it is, but don't believe it--pray don't."
He looked moved, and said to his sister--
"Not now, Kate, not now."
"Nonsense!" she replied, "it is too late to go back."
"I think it is," assented Cornelius, looking down at me. But I threw my
arms around his neck, and looking up at his face with all the passionate
entreaty of my heart--
"You won't believe it, Cornelius, will you?" I asked; "it's against me, I
am sure; but you won't believe it?"
"No, indeed," he replied, with some emotion, "I will believe nothing
against you, my poor child."
The assurance somewhat pacified me. Kate, whom my alarm seemed to impress
very unfavourably, observed drily--
"It is not a matter to make so much of, and I never said you could not
explain it, Daisy; at all events here it is."
With this she drew forth from her pocket, and laid on the table, the
filagree bracelet.
"Is that all?" asked Cornelius, seeming much relieved.
"I think it quite enough, considering where it was found," shortly said
Kate.
"In the studio! What about it: was it not in the studio I gave it to
her?"
"That is all very well, but I should like to know how it has got stained
with the very same ochre that was used to daub the face of poor Medora."
"Even that is nothing, Kate; you know well enough that everything Daisy
wears bears traces of the place where she spends her days."
Miriam had remained indifferent and calm, whilst all this was going on in
her presence; she had not changed her attitude, scarcely had she raised
her eyes, or cast a look around her. She now stretched forth her hand,
took up the bracelet from the table where it lay, looked at it, laid it
down again, and said very quietly--
"It is mine."
"Yours!" cried Cornelius.
"Yes, I know it by the clasp. I put it on this morning, and dropped it, I
suppose, in the studio."
"There, Kate," triumphantly exclaimed Cornelius, "so much for
circumstantial evidence!"
Kate looked utterly confounded.
"Yours," she said to Miriam, "yours? are you quite sure it is really
yours?"
"Quite sure," was the composed reply.
Miss O'Reilly turned to me, and asked shortly--
"Why did you not say it was not yours?"
"I did not know it was not mine, Kate. I knew I had left mine in the
studio."
"Then it is really yours!" said Kate, again turning to Miriam, who
replied with an impatient "Yes," and an ill-suppressed yawn of mingled
indifference.
Public-domain text, read in full here on John Shaqi.
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