Long had I sought in vain to find
A likeness for the scribbling kind—
The modern scribbling kind, who write
In wit, and sense, and nature's spite—
Till reading—I forget what day on,
A chapter out of Tooke's "Pantheon,"
I think I met with something there
To suit my purpose to a hair.
But let us not proceed too furious,—
First please to turn to god Mercurius:
You'll find him pictur'd at full length
In book the second, page the tenth:
The stress of all my proofs on him I lay;
And now proceed we to our simile.
_Imprimis_, pray observe his hat:
Wings upon either side—mark that.
Well! what is it from thence we gather?
Why, these denote a brain of feather.
A brain of feather? very right,
With wit that's flighty, learning light;
Such as to modern bard's decreed:
A just comparison—proceed.
In the next place, his feet peruse:
Wings grow again from both his shoes;
Design'd, no doubt, their part to bear,
And waft his godship through the air:
And here my simile unites;
For in a modern poet's flights,
I'm sure it may be justly said,
His feet are useful as his head.
Lastly, vouchsafe t'observe his hand,
Fill'd with a snake-encircled wand,
By classic authors termed Caduceus,
And highly famed for several uses:
To wit,—most wond'rously endued,
No poppy-water half so good;
For let folks only get a touch,
Its soporific virtue's such,
Though ne'er so much awake before,
That quickly they begin to snore;
Add, too, what certain writers tell,
With this he drives men's souls to hell.
Now to apply, begin we then:—
His wand's a modern author's pen;
The serpents round about it twined
Denote him of the reptile kind,
Denote the rage with which he writes,
His frothy slaver, venom'd bites:
An equal semblance still to keep,
Alike, too, both conduce to sleep;
This difference only,—as the god
Drove souls to Tart'rus with his rod,
With his goose-quill the scribbling elf,
Instead of others, damns himself.
And here my simile almost tript;
Yet grant a word by way of postscript.
Moreover Merc'ry had a failing;
Well! what of that? out with it.—Stealing;
In which all modern bards agree,
Public-domain text, read in full here on John Shaqi.
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