Moving her bags was expensive and thinning an Airedale to the finest
“point” of safety entailed anxiety. His canine protests against the
experiment were what first lifted her eyes to a sign beside the door
of a substantial house. A savoury odor of beef stew wafted from the
downstairs windows and attracted the young dog so powerfully that,
with ears laid back and muscles straining against his leash, he pulled
her up the first two steps. What attracted the girl was the invitation
of brass letters laid upon an ebony board:
RETREAT FOR WAYWARD GIRLS
For more than two hours they had been walking slowly. Each day now they
walked more slowly. And the slower they walked, the more urgent had
grown their present landlady’s “want” of their room. The window signs
were scarce in this cheap section of the city, said to be congested
beyond all record. And such “To Lets” as they had found were said at
the doors, after momentary inspection, to be already “taken.”
So now, weariness and the odor of stew on the crisp autumn air decided
the dog. The cold sunlight falling upon the topmost, polished word of
the sign--RETREAT--decided the girl.
The matron proved to be a quite good imitation of a mother. The girls
under her charge were mostly repentant--some she had graduated into
good cheer. “Waywardness” was an infliction to be frankly discussed; to
be vied over, sighed and cried over with consoling _camaraderie_. Even
the dog was pitied. Indeed, his demands for ready relief were met far
too generously for his gastronomic good.
Although the “new girl” did not explain about herself--there was no
need of that--she relaxed within the warming atmosphere of the retreat
and tried hard to please. Interestedly she listened to tales of the
benevolent gentleman who directed the philanthropy. With so many
examples of waywardness about her, she came to take a less strained
view of her plight.
But the night and day stories poured into her ears--stories of the
undying devotion of the varied “friends” in the varied inmates’ cases
who, through varied circumstances, had been separated from their
hearts’ desires by cruel Fate--filled her with a longing for John Cabot
that increased with the approach of her ordeal. Despite her unselfish
resolves, she wanted him to know. He must have been hurt if he knew of
her seeming desertion. Her past fear of the “risks,” as italicized by
Rufus Holt, was wiped off the slate of her mind. The risk of death,
which involved the greater risk of loss of love, was writ instead--to
stay.
Public-domain text, read in full here on John Shaqi.
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