United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
“They’d be here, too,” she retorted, “And although I may not have been
to this particular place, the first of the summer I thought I took in
every road house there was. Goodness knows that I long ago stopped
worrying about appearances!”
This was the sort of speech that would have made Grant’s hair rise, she
reflected, the minute she spoke; Grant would have thrown back some icy
remark that would only have goaded her on. But Jim looked down at her
without speaking, and something in his keen eyes made her feel very
wriggly.
They entered the Toast and Jam. A low-ceilinged white hallway through
which they looked in to a long, cozily gotten-up dining-room, with
tables thrust along the sides. A colored orchestra at one end with a
negro bawling out the words of the selection, and a piebald mass of
dancers, exercise of contact whipping their blood higher and higher, the
heat from the low-studded room growing with motion, so that they had to
cling but stickily; but they clung. An assortment of all ages, having a
preponderance of older men with more or less younger women whose general
get-ups were equivocal.
“Do you remember your waiter? And find whoever it was who requested you
to leave last night,” said Jim to Crawf, who slid into the dining room.
Jerry streaked after him, her fan waving in determination, and Jim
followed, with a request that Dum-Dum stay with Joy.
They waited in a silence that grew so appalling, with nothing to watch
but the shivering of the dancers to the syncopated shriek of the
orchestra, that Joy finally said in a tone as nearly ferocious as she
could make it: “Do they call you Dum-Dum after the bullet or because
you’re just plain _dumb_?” At his amazement, she hurled on; “It must be
because you’re dumb—otherwise I don’t understand—how you could have
been so careless—of a nice girl!”
He opened his mouth and closed it. His silence had suddenly changed
colour. It was almost as if he had; and she read it as easily as if he
had spoken. They were not so—careful—with Sarah as they might have
been with “nice” girls. Jerry had diagnosed it—the key of their
relationship with men was that the men acted as if they were among
themselves. There had been just that careless oblivion, that utter lack
of the protective instinct toward Sarah; and the idea of it was so
horribly perverted that she gave a little shiver.
“Aha, shimmying?” said Dum-Dum, finding speech at last. “Music too much
for you? Come on, let’s dance till the others get through.”
She looked at him so strangely that his inviting pose disintegrated and
he toppled back. “That’s—_the first thing I’ve heard you say_. Must I
take that—as the keynote to your character?”
He was regarding her with alarm and now spoke soothingly. “Oh all right;
but it’s darn good music!”
“_Good music!_” She checked herself. After all, silence was preferable
to talking in different tongues.
Public-domain text, read in full here on John Shaqi.
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