United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
“My next two years I spent carrying bundles for Charlette’s and
incidentally hanging around the place before and after hours, talking to
the models every chance I could get, absorbing the main truths about
what clothes can do to you and what you can do to clothes. My errands
took me into the workrooms and fitting-rooms, and I began to make my own
clothes and what I admitted was improving on Charlette designs in doing
so. Watching the models and hearing them talk had given me an idea of
what colour and line could do.
“I think I was at my worst at fifteen. I tossed a mean make-up and
looked probably older than I do now. I had no morals and a bunch of bad
ideas. Some of the models were all right, but those weren’t the ones who
shot their mouths off. About the only rule I went by was to look out for
myself.
“Along about then, I struck for recognition—I was working twelve hours
a day and only pulling down seven a week—and they graduated me into the
work-rooms.
“That’s the way my rise in the world began—that and changing to a
sub-let room in an apartment uptown. I was five years more at
Charlette’s; and at the end of that time I was one of their
designers—what I had been working for, all that time.” She closed her
eyes as if they hurt. “I’d been working on the same old twelve-hour
average, but it was a change and higher pay, and I lapped up the work, I
was so crazy about it. There seemed a sort of poetry to it—even when I
started as a cutter, baster, fitter and spent days over the sewing
machine—a poetry that grew as I pushed myself into the designing end
and put the right thing on the right person.”
“Like Mrs. Messy,” Joy said, with a little hysterical giggle. She had
lost her look of breathless horror, and was listening with minute
interest.
“Well—there were a lot of people like her around, of course—there
always are, in a big designing shop—and I learned how to put things on
them, too—as you’ve seen.” The two girls smiled at each other. The air
had become less tense. It was almost in relief that Jerry continued:
“I always worked overtime, at first because I knew that was the way to
get ahead, then later from habit as well as my burning to get to the
top. I saved my money, too, and was the original glued-to-a-nickel
fiend. Men dropped out of my life pretty much in those five years. I was
too busy getting ahead.
“Before I go on and get to the heart-throb—I’ll give you a general
snapshot of me at the age of twenty. I made myself up every A.M. as
peppily as if I were going to tread the boards. I wore my hair in the
last gasp from Paris. I cut my clothes as snappy as I could get away
with, which was some, you can gather. And I looked like a misprint. As
for the rest—I was hard as a city pavement, tough as gum, and looked on
men as a necessary evil.”
“That wasn’t your fault!” Joy interpolated swiftly. Jerry shrugged her
shoulders by way of answer, but gave a faint nod, before going on.
Public-domain text, read in full here on John Shaqi.
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