United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
She laughed. ‘You’re always talking about “honour and truth and a sure
intent,”’ she said. ‘You’re so romantic, Phil—anyone would think you
were getting married instead of me!’
“Then he wasn’t married! That was my first thought, as I faded away back
to Fanchon. But later on, the things he said began to sink in. ‘Poor
little rats!’ He had said that in the same tone that he had looked
through me. Every time I thought of it I wanted to go and burn myself up
and then crawl out and fly away a new bird, like a Pegasus or a Phœnix,
or whatever the old thing is. I knew I was a poor little rat—that he’d
call me the same thing if he ever had a good look at me. And the worst
thing was that I didn’t have a clue on how not to be a poor little
rat—not a clue, except for those three things he had named—‘honour and
truth and a sure intent.’ The first two and me weren’t speaking. That
last—well, I thought I did have a sure intent. To get to the top on
designing for Charlette—to get so that I would be the acknowledged
head, second only to the old girl Charlette herself, who spent most of
her time hanging in on the Paris exhibits—that was my aim; and then I
was going to spread and have a good time. Not a bad aim, as aims go. The
trouble with everyone nowadays is, everyone wants to get to the top and
have a good time every step of the way too.”
She paused to take breath.
“Do you mean,” said Joy, “that you—you really fell in love with
him—then?”
“Yes.”
They were silent for a moment, and then Joy whispered an old, old
question—and one that of late had been pricking her with uncertainty.
“Jerry—how did you—know? How could you be so—sure?”
“How does one know?” Jerry repeated. “That’s something that crashes in
to different make-ups in different ways, Joy. With me—it came like a
pistol shot. Just as sudden, and as unwelcome.
“I thought about him on an average of every day, after that. You see, no
one had ever spilled it to me before that there might be something
lacking in my get-up. I always believed that you can get to anything you
want if you want it hard enough to work for nothing but that. Look where
I had landed by tearing my eyes out with work while other girls watched
the clock and beat it early for movie dates—from the East Side newsie
in grey sweater and bloomers to a Fifth Avenue designer in a Charlette
model—at twenty. And so I began to believe that if I wanted Phil
Lancaster hard enough, I could get him. There was this hitch to it,
though; I knew how to work for what I wanted, before. Now I was in the
dark. The only right thing I knew was that I was wrong—and that I
didn’t want to see him again until I was right.
Public-domain text, read in full here on John Shaqi.
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