United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
‘I went and said good-bye to Pa, and he gave me a few tips I didn’t need
about not singing DeBussy to the doughboys. Then I went on my little
See-America-First expedition. It was more fun than I’d ever had, and the
Y people I was thrown with taught me a lot. Some of them were wonders,
others were such frosts that you wondered how even the hall could stand
it, let alone the audience in the hall. I put it over, as my songs were
snappy and my work had cabaret pep; by the same token I let myself in
for a lot of criticism, but since the criticism never came from the
soldiers, I didn’t care and I wouldn’t change my methods.
“You’ve probably heard me cartooned as an international character;
anyway, that’s what I’m called. This touring of the camps was what
started me. I had more freedom with the men than I would have if I’d
been in France, and the college-boy type was what looked good to me. The
reason I liked them both then and now—it’s truer now than it ever
was—is that they had just as sure an intent as I for having as good a
time as possible while they lasted, and I liked their ways of going
about it. They liked me, too, because I was easy to be with and they
could feel just as free as if they were among themselves.
“I suppose that’s the keynote of my relations with men; they can act
just as if they were among themselves. I smoke with them, drink more
than they do and hold it better; I tell ’em stories and sing ’em songs;
they can be as free as possible, and yet with the added pep in the
thought that after all, I _am_ a girl.
“At the end of the summer of 1918, I broke into pieces for a fact, and
the Y put me out for a rest. I think they breathed easier when I was
out, anyway. Before I was in trim again, the armistice was signed. I was
some relieved. As I saw it, the decks were cleared for me. I’d done more
work up to twenty than some people do in a lifetime; for a year I’d
worked for my country; and now I was going to have an everlasting good
time while my pep held out.
“What was the use of any other sure intent? I knew I could never care
again for anybody. I hadn’t seen him or heard of him. So what was the
use of anything—except having a good time? Sometimes I’ve wondered if
he could see me—now—would he like me any better—even if I am polished
off some from the cabaret singer he knew. But what was the use of taking
the ‘Idylls of the King’ to heart, when he wasn’t there to see me? If
he’d left me any other way——Men are like that; they break away clean;
girls make a jagged break, or leak away. He’d gone; and when you stop to
think of it, he was about the only nail I had to hold me down. So what
was the use? And away I popped.
Public-domain text, read in full here on John Shaqi.
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