United States -- Social life and customs -- 20th century -- Fiction; Women college students -- Fiction
“Evening dress stuff, they say, which means the girls will and the men
won’t.” She threw her cigarette stub at the wastebasket, and after a few
waverings which Félicie watched tensely, it went in. “Well—we’ve got to
go along. We’ll be around for you to-night, some time. Be ready!”
“Good-bye, Miss Durant,” said Joy, taking a last comprehensive look at
the massed loveliness before her. She half wished that she were going
that night. To see it drawn up in battle array!
“We must have a movie date some time,” Félicie smiled, but her smile was
changed to a shriek as she followed them down the hall. “You didn’t
close the door, and he got out! Oh, _Fizz_!”
She captured him in the lower entry and held him carefully away from the
lace of her dress, his red tongue dangling, his little eyes peering
pinkly from beneath his drying bangs, as she again speeded them on their
way.
“Well, what did you think of the human jellyfish?” Jerry asked, as they
made for their regular “taxi,” a Subway prepayment car.
“Jerry—I think she’s the loveliest thing I’ve ever seen. But I don’t in
the least get why she’s like a jellyfish.”
“Listen. If you’ve ever seen the animal, you know it’s flabby and yet
you can’t pull it apart. That’s what she is.”
“I don’t know. Her arguments were pretty good; they’ve started me
thinking.”
“Well, all I’ve got to say is this: I never saw anyone fill the flowing
bowl—and drink it and have it left. And I don’t think she can pull it
off any more than anyone else.”
Joy was a little more weary of work than she cared to admit, and found a
welcome diversion in watching Jerry and Sarah prepare for the evening.
Even the familiar spectacle of Sarah whitewashing her neck, back,
shoulders and arms with liquid powder, was amusing. When they left,
wrapping about themselves with conscious sumptuousness new evening
cloaks that Jerry had recently evolved, she could not circumvent a sigh.
After all—she was going from one extreme to the other.
She went to the piano and started playing the score of Faust, as Pa was
now working her through the rôle of Marguerite. “Old fashioned, but it
will teach you much,” he had said. It was all within her increased
powers of vocalisation except the trill in the Jewel Song. When she sang
and played exultantly through the score, she felt lifted to a zenith of
mauve heights which trembled in ecstasy of tone—until her next lesson.
She played now, supporting an even lusciousness of tone—
“Je voudrais bien savoir quel était ce jeune homme
Si c’est un grand’seigneur, et comment il se nomme.”
The piano under her hands transmuted itself into a great orchestra; the
walls of the room widened to the huge stage of the Metropolitan; and
she, Marguerite, was standing with clasped hands savouring the wonder of
love at first sight. She was glad that she was more slender than most of
the vocalists who could essay the rôle; and no wig would be needed to
cover her own golden hair.
Public-domain text, read in full here on John Shaqi.
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