Danger! A True History of a Great City's Wiles and Temptations: The Veil Lifted, and Light Thrown on Crime and its Causes, and Criminals and their Haunts. Facts and Disclosures.Howe, William F.
History
Danger! A True History of a Great City's Wiles and Temptations: The Veil Lifted, and Light Thrown on Crime and its Causes, and Criminals and their Haunts. Facts and Disclosures.
Howe, William F.
Crime -- New York (State) -- New York; Criminals -- New York (State) -- New York; New York (N.Y.) -- Social conditions
rodomontade was not enough, we are told in characteristic rhetorical
vagueness that he was a pitiless watchman, a marble-hearted spy, a
Brutus contained in a Vidocq.
Readers of Dickens will remember that Mr. Bucket appears on the scene in
Bleak House in a weird and mysterious way, which suggests that Inspector
Byrne, of New York, had been a student of lawyer Tulkinghorn's methods
when he undertook to pump Alderman Jaehne. The sly lawyer is plying
Snagsby with rare old port in the dim twilight and evolving his story,
when suddenly the victim becomes conscious of the presence of "a person
with a hat and stick in his hand, who was not there when he himself came
in, and has not since entered by either of the windows." This composed
and quiet listener is "a stoutly built, steady-looking, sharp-eyed man
in black, of about middle age," and he looks at Snagsby "as if he was
going to take his portrait." When the poor, hen-pecked wretch, who has
thus been drawn into the legal confessional, learns that Mr. Bucket is a
detective officer, "there is a strong tendency in the clump of Snagsby's
hair to stand on end."
The method of Bucket consists partly of gross flattery and of being "all
things to all men," as Saint Paul somewhere advises. "You're a man of
the world," he says to Snagsby; "a man of business and a man of sense.
That's what you are, and therefore it is unnecessary to tell you to keep
QUIET." He flatters the gorgeous flunkey at Chesney Wold by adroitly
commending his statuesque proportions, and hinting that he has a
friend--a Royal Academy sculptor--who may one of those days make a
drawing of his proportions. Further, to elicit the confidence of the
vain and empty-headed Jeames, Bucket declares that his own father was
successively a page, a footman, a butler, a steward, and an innkeeper.
As Bucket moves along London streets, young men, with shining hats and
sleek hair, evaporate at the monitory touch of his cane. When there is a
big job on the tapis "Bucket and his fat forefinger are much in
consultation together. When Mr. Bucket has a matter of this pressing
interest under consideration the fat forefinger seems to rise to the
dignity of a familiar demon. He puts it to his ears and it whispers
information; he puts it to his lips and it enjoins him to secrecy; he
rubs it over his nose and it sharpens his scent; he shakes it before a
guilty man and it charms him to his destruction. The Augurs of the
Detective Temple invariably predict that when Mr. Bucket and that finger
are much in conference a terrible avenger will be heard of before long."
Furthermore we are told that "Mr. Bucket pervades a vast number of
houses and strolls about an infinity of streets, to outward appearance
rather languishing for want of an object. He is in the friendliest
condition toward his species, and will drink with most of them. He is
free with his money, affable in his manners, innocent in his
conversation--but through the placid stream of his life there glides an
Public-domain text, read in full here on John Shaqi.
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