Dangerous Ground; or, The Rival DetectivesLynch, Lawrence L.
General
Dangerous Ground; or, The Rival Detectives
Lynch, Lawrence L.
Detective and mystery stories; Fiction
[Illustration: ""That's a pretty thing to keep hid away!" snarls the now
thoroughly angry detective."--page 278.]
There may have been times in Alan Warburton's life--such times come to
most fastidious city-bred people--when he doubted the wisdom of
Providence in permitting the "street musician" to inherit the earth,
and, especially to transport so much of his "heritage," wheresoever he
might go, upon his person. But to-day, for the first time, he fancies
that he sees some reason for the existence of the species, and he finds
himself looking down almost complacently upon the crouching minstrel who
has lawlessly invaded the sanctity of his splendid cabinet.
This strange intruder has brought him at least a respite; and he
breathes a sigh of relief even as he asks sternly:
"Fellow, how long have you been hiding in that cabinet?"
But the culprit is once more a mute; again the pathetic look is in his
eyes, and with Grip's hand still clutching his shoulder, he begins a
terrified pantomime.
"Bah!" says Mr. Grip, pushing his prisoner away contemptuously, "that
won't wash. You ain't deaf--not much; nor dumb, neither. Answer me,"
giving him a rough shake, "how came you here?"
There is no sign that the fellow hears or understands; he continues to
gesticulate wildly.
Mr. Grip releases his hold, and bends upon Alan a look of impatience. In
a moment, the organ-grinder bounds to the cabinet and, dragging forth
his organ, turns back, displaying it and slinging it across his shoulder
with grimaces of triumph.
"That won't go down, either," snarls Mr. Grip. "Put that thing on the
floor, _presto_!"
But the minstrel only grins with delight, and throwing himself into an
attitude, begins to grind out a doleful air. With an angry growl, Mr.
Grip makes a movement toward him. But the organist retreats as he
advances, and the doleful tune goes on.
It is a ludicrous picture, and Alan smiles in spite of himself, even
while he wishes that Leslie would come now,--now, while he might warn
her; now, while Mr. Augustus Grip, in his pursuit of the intruding
musician, has put the width of the room between himself and his chosen
place of concealment.
But Leslie does not come. And Mr. Grip's next remark shows that he has
not forgotten himself. With a sudden movement, he wrests the organ from
the hands of its manipulator, and converting the strap of the instrument
into a very serviceable lasso, brings the fellow down upon his knees
with a quick, dexterous throw, and holding him firmly thus, says over
his shoulder, to Alan:
"This is a fine thing to happen just now! The fellow must be got out of
the way, and kept safe until I have time to discover his racket. He's
not such a fool as he looks. Can't you get in a policeman quietly? We
don't want any servants to gossip over it, or to see me."
Alan turns his face toward the closet. "Can't we lock him up again?" he
suggests.
"My dear sir," says Grip coolly, "this fellow is probably a _spy_."
Public-domain text, read in full here on John Shaqi.
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