Those of my readers who have thought of Defoe only as a writer of
stories which young and old still love to read, must not be surprised
that so few pages of this little book should be left for an account of
his work in that field. No doubt Defoe's chief claim to the world's
interest is that he is the author of _Robinson Crusoe_. But there is
little to be said about this or any other of Defoe's tales in
themselves. Their art is simple, unique, incommunicable, and they are
too well known to need description. On the other hand, there is much
that is worth knowing and not generally known about the relation of
these works to his life, and the place that they occupy in the sum total
of his literary activity. Hundreds of thousands since Defoe's death, and
millions in ages to come, would never have heard his name but for
_Robinson Crusoe_. To his contemporaries the publication of that work
was but a small incident in a career which for twenty years had claimed
and held their interest. People in these days are apt to imagine,
because Defoe wrote the most fascinating of books for children, that he
was himself simple, child-like, frank, open, and unsuspecting. He has
been so described by more than one historian of literature. It was not
so that he appeared to his contemporaries, and it is not so that he can
appear to us when we know his life, unless we recognise that he took a
child's delight in beating with their own weapons the most astute
intriguers in the most intriguing period of English history.
Public-domain text, read in full here on John Shaqi.
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