So Deronda went according to his will. But not before he had spent some hours with Hans Meyrick, and been introduced to the mother and sisters in the Chelsea home. The shy girls watched and registered every look of their brother’s friend, declared by Hans to have been the salvation of him, a fellow like nobody else, and, in fine, a brick. They so thoroughly accepted Deronda as an ideal, that when he was gone the youngest set to work, under the criticism of the two elder girls, to paint him as Prince Camaralzaman. CHAPTER XVII. “This is true the poet sings, That a sorrow’s crown of sorrow Is remembering happier things.” —TENNYSON: _In Memoriam_. On a fine evening near the end of July, Deronda was rowing himself on the Thames. It was already a year or more since he had come back to England, with the understanding that his education was finished, and that he was somehow to take his place in English society; but though, in deference to Sir Hugo’s wish, and to fence off idleness, he had begun to read law, this apparent decision had been without other result than to deepen the roots of indecision. His old love of boating had revived with the more force now that he was in town with the Mallingers, because he could nowhere else get the same still seclusion which the river gave him. He had a boat of his own at Putney, and whenever Sir Hugo did not want him, it was his chief holiday to row till past sunset and come in again with the stars. Not that he was in a sentimental stage; but he was in another sort of contemplative mood perhaps more common in the young men of our day—that of questioning whether it were worth while to take part in the battle of the world: I mean, of course, the young men in whom the unproductive labor of questioning is sustained by three or five per cent, on capital which somebody else has battled for. It puzzled Sir Hugo that one who made a splendid contrast with all that was sickly and puling should be hampered with ideas which, since they left an accomplished Whig like himself unobstructed, could be no better than spectral illusions; especially as Deronda set himself against authorship—a vocation which is understood to turn foolish thinking into funds.