Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
The Meyricks’ was a home of that kind: and they all clung to this
particular house in a row because its interior was filled with objects
always in the same places, which, for the mother held memories of her
marriage time, and for the young ones seemed as necessary and
uncriticised a part of their world as the stars of the Great Bear seen
from the back windows. Mrs. Meyrick had borne much stint of other
matters that she might be able to keep some engravings specially
cherished by her husband; and the narrow spaces of wall held a world
history in scenes and heads which the children had early learned by
heart. The chairs and tables were also old friends preferred to new.
But in these two little parlors with no furniture that a broker would
have cared to cheapen except the prints and piano, there was space and
apparatus for a wide-glancing, nicely-select life, opened to the
highest things in music, painting and poetry. I am not sure that in the
times of greatest scarcity, before Kate could get paid-work, these
ladies had always had a servant to light their fires and sweep their
rooms; yet they were fastidious in some points, and could not believe
that the manners of ladies in the fashionable world were so full of
coarse selfishness, petty quarreling, and slang as they are represented
to be in what are called literary photographs. The Meyricks had their
little oddities, streaks of eccentricity from the mother’s blood as
well as the father’s, their minds being like mediæval houses with
unexpected recesses and openings from this into that, flights of steps
and sudden outlooks.
But mother and daughters were all united by a triple bond—family love;
admiration for the finest work, the best action; and habitual industry.
Hans’ desire to spend some of his money in making their lives more
luxurious had been resisted by all of them, and both they and he had
been thus saved from regrets at the threatened triumphs of his yearning
for art over the attractions of secured income—a triumph that would
by-and-by oblige him to give up his fellowship. They could all afford
to laugh at his Gavarni-caricatures and to hold him blameless in
following a natural bent which their unselfishness and independence had
left without obstacle. It was enough for them to go on in their old
way, only having a grand treat of opera-going (to the gallery) when
Hans came home on a visit.
Public-domain text, read in full here on John Shaqi.
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