Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
“It would be too hard—impossible—you could not carry it through. I am
not worth what you would have to encounter. I will not accept the
sacrifice. It would be thought a _mésalliance_ for you and I should be
liable to the worst accusations.”
“Is it the accusations you are afraid of? I am afraid of nothing but
that we should miss the passing of our lives together.”
The decisive word had been spoken: there was no doubt concerning the
end willed by each: there only remained the way of arriving at it, and
Catherine determined to take the straightest possible. She went to her
father and mother in the library, and told them that she had promised
to marry Klesmer.
Mrs. Arrowpoint’s state of mind was pitiable. Imagine Jean Jacques,
after his essay on the corrupting influence of the arts, waking up among
children of nature who had no idea of grilling the raw bone they offered
him for breakfast with the primitive couvert of a flint knife; or Saint
Just, after fervidly denouncing all recognition of pre-eminence,
receiving a vote of thanks for the unbroken mediocrity of his speech,
which warranted the dullest patriots in delivering themselves at equal
length. Something of the same sort befell the authoress of “Tasso,” when
what she had safely demanded of the dead Leonora was enacted by her own
Catherine. It is hard for us to live up to our own eloquence, and keep
pace with our winged words, while we are treading the solid earth and
are liable to heavy dining. Besides, it has long been understood that
the proprieties of literature are not those of practical life. Mrs.
Arrowpoint naturally wished for the best of everything. She not only
liked to feel herself at a higher level of literary sentiment than the
ladies with whom she associated; she wished not to be behind them in any
point of social consideration. While Klesmer was seen in the light of a
patronized musician, his peculiarities were picturesque and acceptable:
but to see him by a sudden flash in the light of her son-in-law gave her
a burning sense of what the world would say. And the poor lady had been
used to represent her Catherine as a model of excellence.
Under the first shock she forgot everything but her anger, and snatched
at any phrase that would serve as a weapon.
“If Klesmer has presumed to offer himself to you, your father shall
horsewhip him off the premises. Pray, speak, Mr. Arrowpoint.”
The father took his cigar from his mouth, and rose to the occasion by
saying, “This will never do, Cath.”
“Do!” cried Mrs. Arrowpoint; “who in their senses ever thought it would
do? You might as well say poisoning and strangling will not do. It is a
comedy you have got up, Catherine. Else you are mad.”
“I am quite sane and serious, mamma, and Herr Klesmer is not to blame.
He never thought of my marrying him. I found out that he loved me, and
loving him, I told him I would marry him.”
Public-domain text, read in full here on John Shaqi.
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