Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
There was not much time to fill up in this way before the sound of
wheels, the loud ring, and the opening doors assured her that she was
not by any accident to be disappointed. This slightly increased her
inward flutter. In spite of her self-confidence, she dreaded Klesmer as
part of that unmanageable world which was independent of her
wishes—something vitriolic that would not cease to burn because you
smiled or frowned at it. Poor thing! she was at a higher crisis of her
woman’s fate than in her last experience with Grandcourt. The
questioning then, was whether she should take a particular man as a
husband. The inmost fold of her questioning now was whether she need
take a husband at all—whether she could not achieve substantially for
herself and know gratified ambition without bondage.
Klesmer made his most deferential bow in the wide doorway of the
antechamber—showing also the deference of the finest gray kerseymere
trousers and perfect gloves (the ‘masters of those who know’ are
happily altogether human). Gwendolen met him with unusual gravity, and
holding out her hand said, “It is most kind of you to come, Herr
Klesmer. I hope you have not thought me presumptuous.”
“I took your wish as a command that did me honor,” said Klesmer, with
answering gravity. He was really putting by his own affairs in order to
give his utmost attention to what Gwendolen might have to say; but his
temperament was still in a state of excitation from the events of
yesterday, likely enough to give his expressions a more than usually
biting edge.
Gwendolen for once was under too great a strain of feeling to remember
formalities. She continued standing near the piano, and Klesmer took
his stand near the other end of it with his back to the light and his
terribly omniscient eyes upon her. No affectation was of use, and she
began without delay.
“I wish to consult you, Herr Klesmer. We have lost all our fortune; we
have nothing. I must get my own bread, and I desire to provide for my
mamma, so as to save her from any hardship. The only way I can think
of—and I should like it better than anything—is to be an actress—to
go on the stage. But, of course, I should like to take a high position,
and I thought—if you thought I could”—here Gwendolen became a little
more nervous—“it would be better for me to be a singer—to study
singing also.”
Klesmer put down his hat upon the piano, and folded his arms as if to
concentrate himself.
“I know,” Gwendolen resumed, turning from pale to pink and back
again—“I know that my method of singing is very defective; but I have
been ill taught. I could be better taught; I could study. And you will
understand my wish:—to sing and act too, like Grisi, is a much higher
position. Naturally, I should wish to take as high rank as I can. And I
can rely on your judgment. I am sure you will tell me the truth.”
Gwendolen somehow had the conviction that now she made this serious
appeal the truth would be favorable.
Public-domain text, read in full here on John Shaqi.
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