Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
Grandcourt had two grave purposes in coming to Gadsmere: to convey the
news of his approaching marriage in person, in order to make this first
difficulty final; and to get from Lydia his mother’s diamonds, which
long ago he had confided to her and wished her to wear. Her person
suited diamonds, and made them look as if they were worth some of the
money given for them. These particular diamonds were not mountains of
light—they were mere peas and haricots for the ears, neck and hair;
but they were worth some thousands, and Grandcourt necessarily wished
to have them for his wife. Formerly when he had asked Lydia to put them
into his keeping again, simply on the ground that they would be safer
and ought to be deposited at the bank, she had quietly but absolutely
refused, declaring that they were quite safe; and at last had said, “If
you ever marry another woman I will give them up to her: are you going
to marry another woman?” At that time Grandcourt had no motive which
urged him to persist, and he had this grace in him, that the
disposition to exercise power either by cowing or disappointing others
or exciting in them a rage which they dared not express—a disposition
which was active in him as other propensities became languid—had
always been in abeyance before Lydia. A severe interpreter might say
that the mere facts of their relation to each other, the melancholy
position of this woman who depended on his will, made a standing
banquet for his delight in dominating. But there was something else
than this in his forbearance toward her: there was the surviving though
metamorphosed effect of the power she had had over him; and it was this
effect, the fitful dull lapse toward solicitations that once had the
zest now missing from life, which had again and again inclined him to
espouse a familiar past rather than rouse himself to the expectation of
novelty. But now novelty had taken hold of him and urged him to make
the most of it.
Public-domain text, read in full here on John Shaqi.
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