Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
He happened to take his seat in a line with an elderly man from whom he
was distant enough to glance at him more than once as rather a
noticeable figure—his ample white beard and felt hat framing a profile
of that fine contour which may as easily be Italian as Hebrew. He
returned Deronda’s notice till at last their eyes met; an undesirable
chance with unknown persons, and a reason to Deronda for not looking
again; but he immediately found an open prayer-book pushed toward him
and had to bow his thanks. However, the congregation had mustered, the
reader had mounted to the _almemor_ or platform, and the service began.
Deronda, having looked enough at the German translation of the Hebrew
in the book before him to know that he was chiefly hearing Psalms and
Old Testament passages or phrases, gave himself up to that strongest
effect of chanted liturgies which is independent of detailed verbal
meaning—like the effect of an Allegri’s _Miserere_ or a Palestrina’s
_Magnificat_. The most powerful movement of feeling with a liturgy is
the prayer which seeks for nothing special, but is a yearning to escape
from the limitations of our own weakness and an invocation of all Good
to enter and abide with us; or else a self-oblivious lifting up of
Gladness, a _Gloria in excelsis_ that such Good exists; both the
yearning and the exaltation gathering their utmost force from the sense
of communion in a form which has expressed them both, for long
generations of struggling fellow-men. The Hebrew liturgy, like others,
has its transitions of litany, lyric, proclamation, dry statement and
blessing; but this evening, all were one for Deronda: the chant of the
_Chazaris_ or Reader’s grand wide-ranging voice with its passage from
monotony to sudden cries, the outburst of sweet boys’ voices from the
little choir, the devotional swaying of men’s bodies backward and
forward, the very commonness of the building and shabbiness of the
scene where a national faith, which had penetrated the thinking of half
the world, and moulded the splendid forms of that world’s religion, was
finding a remote, obscure echo—all were blent for him as one
expression of a binding history, tragic and yet glorious. He wondered
at the strength of his own feeling; it seemed beyond the occasion—what
one might imagine to be a divine influx in the darkness, before there
was any vision to interpret. The whole scene was a coherent strain, its
burden a passionate regret, which, if he had known the liturgy for the
Day of Reconciliation, he might have clad in its antithetic burden;
“Happy the eye which saw all these things; but verily to hear only of
them afflicts our soul. Happy the eye that saw our temple and the joy
of our congregation; but verily to hear only of them afflicts our soul.
Happy the eye that saw the fingers when tuning every kind of song; but
verily to hear only of them afflicts our soul.”
Public-domain text, read in full here on John Shaqi.
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