Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
“Er ist geheissen
Israel. Ihn hat verwandelt
Hexenspruch in einen Hund.
* * * * *
Aber jeden Freitag Abend,
In der Dämm’rungstunde, plötzlich
Weicht der Zauber, und der Hund
Wird aufs Neu’ ein menschlich Wesen.”
—HEINE: _Prinzessin Sabbath_.
When Deronda arrived at five o’clock, the shop was closed and the door
was opened for him by the Christian servant. When she showed him into
the room behind the shop he was surprised at the prettiness of the
scene. The house was old, and rather extensive at the back: probably
the large room he now entered was gloomy by daylight, but now it was
agreeably lit by a fine old brass lamp with seven oil-lights hanging
above the snow-white cloth spread on the central table. The ceiling and
walls were smoky, and all the surroundings were dark enough to throw
into relief the human figures, which had a Venetian glow of coloring.
The grandmother was arrayed in yellowish brown with a large gold chain
in lieu of the necklace, and by this light her yellow face with its
darkly-marked eyebrows and framing roll of gray hair looked as handsome
as was necessary for picturesque effect. Young Mrs. Cohen was clad in
red and black, with a string of large artificial pearls wound round and
round her neck: the baby lay asleep in the cradle under a scarlet
counterpane; Adelaide Rebekah was in braided amber, and Jacob Alexander
was in black velveteen with scarlet stockings. As the four pairs of
black eyes all glistened a welcome at Deronda, he was almost ashamed of
the supercilious dislike these happy-looking creatures had raised in
him by daylight. Nothing could be more cordial than the greeting he
received, and both mother and grandmother seemed to gather more dignity
from being seen on the private hearth, showing hospitality. He looked
round with some wonder at the old furniture: the oaken bureau and high
side-table must surely be mere matters of chance and economy, and not
due to the family taste. A large dish of blue and yellow ware was set
up on the side-table, and flanking it were two old silver vessels; in
front of them a large volume in darkened vellum with a deep-ribbed
back. In the corner at the farther end was an open door into an inner
room, where there was also a light.
Deronda took in these details by parenthetic glances while he met
Jacob’s pressing solicitude about the knife. He had taken the pains to
buy one with the requisites of the hook and white handle, and produced
it on demand, saying,
“Is that the sort of thing you want, Jacob?”
It was subjected to a severe scrutiny, the hook and blades were opened,
and the article of barter with the cork-screw was drawn forth for
comparison.
“Why do you like a hook better than a cork-screw?” said Deronda.
“’Caush I can get hold of things with a hook. A cork-screw won’t go into
anything but corks. But it’s better for you, you can draw corks.”
Public-domain text, read in full here on John Shaqi.
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