Didactic fiction; England -- Fiction; Jewish fiction; Jews -- England -- Fiction; Zionists -- Fiction
This movement for the sake of being in sight of her was more direct
than usual rather late in the evening, when Gwendolen had accepted
Klesmer as a partner; and that wide-glancing personage, who saw
everything and nothing by turns, said to her when they were walking,
“Mr. Grandcourt is a man of taste. He likes to see you dancing.”
“Perhaps he likes to look at what is against his taste,” said
Gwendolen, with a light laugh; she was quite courageous with Klesmer
now. “He may be so tired of admiring that he likes disgust for variety.”
“Those words are not suitable to your lips,” said Klesmer, quickly,
with one of his grand frowns, while he shook his hand as if to banish
the discordant sounds.
“Are you as critical of words as of music?”
“Certainly I am. I should require your words to be what your face and
form are—always among the meanings of a noble music.”
“That is a compliment as well as a correction. I am obliged for both.
But do you know I am bold enough to wish to correct _you_, and require
you to understand a joke?”
“One may understand jokes without liking them,” said the terrible
Klesmer. “I have had opera books sent me full of jokes; it was just
because I understood them that I did not like them. The comic people
are ready to challenge a man because he looks grave. ‘You don’t see the
witticism, sir?’ ‘No, sir, but I see what you meant.’ Then I am what we
call ticketed as a fellow without _esprit_. But, in fact,” said
Klesmer, suddenly dropping from his quick narrative to a reflective
tone, with an impressive frown, “I am very sensible to wit and humor.”
“I am glad you tell me that,” said Gwendolen, not without some
wickedness of intention. But Klesmer’s thoughts had flown off on the
wings of his own statement, as their habit was, and she had the
wickedness all to herself. “Pray, who is that standing near the
card-room door?” she went on, seeing there the same stranger with whom
Klesmer had been in animated talk on the archery ground. “He is a
friend of yours, I think.”
“No, no; an amateur I have seen in town; Lush, a Mr. Lush—too fond of
Meyerbeer and Scribe—too fond of the mechanical-dramatic.”
“Thanks. I wanted to know whether you thought his face and form
required that his words should be among the meanings of noble music?”
Klesmer was conquered, and flashed at her a delightful smile which made
them quite friendly until she begged to be deposited by the side of her
mamma.
Three minutes afterward her preparations for Grandcourt’s indifference
were all canceled. Turning her head after some remark to her mother,
she found that he had made his way up to her.
“May I ask if you are tired of dancing, Miss Harleth?” he began,
looking down with his former unperturbed expression.
“Not in the least.”
“Will you do me the honor—the next—or another quadrille?”
Public-domain text, read in full here on John Shaqi.
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