4. _The “Eclogae”_
Belonging, like the tenth Epistle, to that closing period of Dante’s
life when he was engaged on the _Paradiso_, are two delightful pastoral
poems in Latin hexameters. Here, too, we owe much to the piety of
Boccaccio. The earliest and most authoritative of the five manuscripts
is again in his handwriting, in the _Zibaldone Boccaccesco_ (where the
poems are accompanied by explanatory notes), in the Laurentian Library.
Giovanni del Virgilio, a young lecturer and a poet, had written
to Dante from Bologna a letter in Latin verse, expressing his
profound admiration for the singer of the Commedia, but respectfully
remonstrating with him for writing in Italian, and suggesting some
stirring contemporary subjects as worthy matters for his muse: the
death of Henry VII., the battle of Montecatini, a victory of Can Grande
over the Paduans, the struggle by sea and land between King Robert of
Naples and the Visconti for the possession of Genoa. The reference
to this last event shows that the letter cannot have been written
before July 1318, while a passage towards the close clearly indicates
the early part of the following year. It further contains a pressing
invitation to come and take the laurel crown at Bologna, or, at least,
to answer the letter, “if it vex thee not, to have read first the
feeble numbers which the rash goose cackles to the clear-voiced swan.”
Dante’s first Eclogue is the answer. Adopting the pastoral style, he
himself and his companion Dino Perini (whom Boccaccio afterwards knew)
appear as shepherds, Tityrus and Meliboeus, discussing the invitation
from Mopsus. It was probably written in the spring or early summer of
1319. In a medley of generous praise and kindly banter, Dante declines
to visit Bologna, “that knows not the gods,” and still hopes to receive
the poet’s crown at Florence. When the _Paradiso_ is finished, then
will it be time to think of ivy and laurel; and in the meanwhile, to
convert Mopsus from his errors with respect to vernacular poetry, he
will send him ten measures of milk fresh from the best-loved ewe of all
his flock--ten cantos from the _Paradiso_, which evidently are not yet
published, since the sheep is yet unmilked.
Public-domain text, read in full here on John Shaqi.
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