OUT OF THE DEPTHS.--It is the night of Easter Eve in our world (_Inf._
xxxiv. 68) when the poets leave the accursed place. Virgil carries
Dante like a child, for man will readily submit himself to the
guidance of reason and philosophy when once the nature of sin has been
thoroughly comprehended. Down by Lucifer’s shaggy sides, they pass the
centre of the universe (lines 76-81, 106-117). Virgil turns with Dante
completely round (conversion from sin), so that they find themselves in
a chasm left at Lucifer’s fall, below the opposite hemisphere to that
which man inhabits. But here it is morning (lines 96, 105, 118), the
morning of Easter Eve of the southern hemisphere, which is twelve hours
behind the time of its antipodes.[34] Through this space, opposite to
“the tomb of Beelzebub,” a rivulet descends, bringing the memory of sin
that has been purged in Purgatory back to Lucifer. By a strange and
arduous way, typical of the persevering struggle out of vice, Dante
with his guide mounts upwards to the clear air; and, on the shores of
Purgatory in the southern hemisphere, they “issued forth to rebehold
the stars.”
Like the Redeemer of mankind, Dante has been dead and buried part of
three days, and it is not yet daybreak on Easter Sunday, “in the end of
the sabbath, as it began to dawn toward the first day of the week.”
3. _The “Purgatorio”_
STRUCTURE AND ALLEGORICAL MEANING.--Purgatory is a steep mountain
of surpassing height, on the only land rising out of the sea in the
southern hemisphere. Like Hell, it was formed when Lucifer and his
followers were cast out of Heaven. To escape him the earth rushed up
to form this mountain, and left void the cavern through which Dante
ascended (_Inf._ xxxiv. 125). It is the exact antipodes of Jerusalem
and Mount Calvary, rises beyond atmospheric changes, and is crowned by
the Earthly Paradise, scene of man’s fall and symbol of blessedness of
this life.
In the literal sense the Purgatorio is the essential Purgatory of
separated spirits, expiating and exercising, paying the debt of
temporal punishment that remains after the guilt has been forgiven;
purging away the material element of sin, after the formal element
has been remitted. In the allegorical sense it represents the moral
purgatory of repentant sinners in this world; and has for subject
man, by penance and good works, becoming free from the tyranny of
vice, attaining to moral and intellectual freedom. Thus it becomes
a symbol of the whole life of man from conversion to death; man, no
longer sunk in ignorance and sin, as in the _Inferno_; not yet soaring
aloft on heights of impassioned contemplation, as in the _Paradiso_;
but struggling against difficulties and temptations, making amends for
misuse of Free Will, conforming with the practices of the Church, and
obeying the imperial authority, until the time comes to pass to the
blessedness of another world.
Public-domain text, read in full here on John Shaqi.
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