------------------------------------------------------------------------
[160] _Conv._ II. xiv. 244-217. “It is noble and lofty because of its
noble and lofty subject, which is the movement of the heavens; it is
lofty and noble because of its certainty, which is without flaw.”
------------------------------------------------------------------------
This quotation from Ptolemy is from his book on “judicial
astronomy,”[161] and it may be that Dante was partly thinking of
astrological predictions, as he almost certainly was in the passage
that follows, where he adds that astronomy takes a long time to
learn, not only because of its great range, but because experience is
necessary to form a correct judgment. Nevertheless, it is probable that
by its flawless certainty he meant that unchanging laws govern the
celestial phenomena, so that they may always be predicted without error
when the laws are known.
------------------------------------------------------------------------
[161] See p. 156.
------------------------------------------------------------------------
His definition of astronomy was accurate, for it was not until the
middle of the nineteenth century that physical astronomy began to take
its place beside the old “astronomy of position,” and in Dante’s day
practically the only subject open to research concerning the heavenly
bodies was their movements. Of these, and especially the “prime motion”
of the diurnal revolution, he was vividly conscious. His favourite name
for the heavens is “wheels”—“le ruote magne,” “eterne ruote,” “stellate
ruote”;[162] and he often refers to them as a standard of motion. Thus
when with Beatrice he was rapt from the summit of Mount Purgatory, to
express the swiftness of their flight he says it was almost as rapid
as the movement of the sky—“veloci, quasi come il ciel vedete.”[163]
Constantine moving the capital of the Roman Empire eastwards is
described as turning the Roman Eagle contrary to the course of the
sky—“contra il corso del ciel,”[164] and the sky itself is described as
a sphere which is ceaselessly at play like a lively child:—
------------------------------------------------------------------------
[162] “The great wheels,” “eternal wheels,” “starry wheels.”
[163] “Swift, almost as the heaven ye behold.” _Par._ ii. 21.
[164] “Against the course of the sky.” _Par._ vi. 2.
... “la spera,
Che sempre a guisa di fanciullo scherza.”[165]
[165] ... “That sphere,
Which aye in fashion of a child is playing.”
_Purg._ xv. 2, 3. (_Longfellow_).
------------------------------------------------------------------------
Public-domain text, read in full here on John Shaqi.
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