To many similar instances the diagram (p. 276) will be found to supply
a key, and some we shall have occasion to notice presently in another
connection.
3. THE STARS.
If our poet did not love moonlight, there is no doubt that starlight
was very dear to him. Never are stars spoken of as cold, or placed in
antithesis to the sun. Rather are they classed together, as in the
pathetic letter, written when he heard of the possibility that the
Florentines might receive him again if he would consent to return as a
disgraced but pardoned criminal. If this is the only path to Florence,
never will he re-enter the beloved city. “What then?” he cries. “Can he
not see the mirrors of the sun and of the stars, wherever he may be?
can he not meditate on precious truths under any sky?”[238]
------------------------------------------------------------------------
[238] _Ep._ ix. 46-49.
------------------------------------------------------------------------
He describes the Inferno as bereft of stars as well as of sun;[239]
he hopes to escape those dark abysses to see the beautiful stars
again,[240] and the terror of the sounds of weeping and crying is
heightened indescribably by the simple words:—“risonavan per l’aer
senza stelle.”[241] When he does at length come forth to see “le cose
belle che porta il ciel”[242] how eagerly he gazes, not only at Venus,
but at the new stars in the south! how his “greedy eyes”[243] seek
the same region as soon as dusk begins to fall! and how radiantly the
stars look down upon him on that last night on the rocky slopes of the
Mountain, near the summit![244]
------------------------------------------------------------------------
[239] _Inf._ iii. 23.
[240] _Inf._ xvi. 82, 83.
[241] “Resounded through the air without a star.” _Inf._ iii. 23.
[242] “The fair things that heaven holds.” _Inf._ xxxiv. 137, 138.
[243] _Purg._ viii. 85.
[244] _Purg._ xxvii. 89, 90.
------------------------------------------------------------------------
This is all allegorical, no doubt, but it is because of Dante’s
feeling for the real “belle stelle”[245] that he uses them as symbols
of truth and holiness, and concludes each Cantica of the _Divine
Comedy_ with their name:—
------------------------------------------------------------------------
[245] “Beautiful stars,” _Inf._ xvi. 83.
“E quindi uscimmo a riveder le stelle.”[246]
“Puro e disposto a salire alle stelle.”[247]
“L’Amor che move il sole e l’altre stelle.”[248]
[246] “Thence issuing we beheld again the stars.”
[247] “Pure and disposed to mount unto the stars.”
[248] “The Love that moves the sun and the other stars.”
------------------------------------------------------------------------
Public-domain text, read in full here on John Shaqi.
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