National Gallery, The, 79, 159. “Nativity, The,” 205. Nature as a Background, 15-16. “Nature’s Mirror,” 129. “New Day, The,” 179. Nicholson, P.W., 200. “Nimuë Brings Sir Peleus,” 143. “Nineveh,” 140. “Old Churchyard, The,” 129. “Ophelia,” 4, 121-122, 147, 227, 229. Orchard, John, 73. “Order of Release, The,” 121, 147. “Oriana,” 138. “Orlando and Adam,” 106. “Our Lady of Good Children,” 34, 155. “Our Lady of Pity,” 181, 224, 256-258. Outlines, Rossetti’s, 24. Overbeck, 134. Oxford, 77, 140-141, 145; frescoes at, 142-146. “Oxford and Cambridge Magazine, The,” 140. Painters of the Last Generation, 33. “Palace of Art, The,” 138. “Palomides’s Jealousy, Sir,” 143. “Pandora,” 59, 118, 157, 162, 241-242. “Paolo and Francesca,” 215, 234-235. “Parable of Love, A,” 105. “Parable of the Vineyard, The,” 169. “Parisina and Manfred,” 154. “Passover in the Holy Family, The,” 116, 192, 205-206. Patmore, Mr. Coventry, 71, 73, 80. Paton, Sir Noel, 129, 174. Payne, John, 166. Penkill, 171. Pessimism in Art, 13-16. Poetry, Rossetti’s, 23, 68, 71-73, 140, 161, 176-177, 179, 259-309. “Poetry, Art and,” 72. Polidori, Gaetano, 20. Polidori, Miss Margaret, 169. Pollen, J. Hungerford, 142-143. Portraits, Pre-Raphaelite, 66, 102, 108-114, 117, 145-146, 148, 154, 161, 168, 186, 214. “Portrait, The,” 263, 283. Pre-Raphaelite Exhibitions, 67, 118. Pre-Raphaelitism, Characteristics of, 5-6, 9, 12-17, 58, 63-64, 69, 80, 84-86, 122, 124, 130, 133-135, 198-201. “Pretty Baa-Lambs,” 152. Prices of Pictures, 67, 150, 190. “Prince’s Progress, The,” 140. Prinsep, Mr. Val, 129, 142-143, 173. “Proscribed Royalist, The,” 126, 147, 247. “Proserpine,” 118-119, 157, 180, 191, 241. “Protestant Lady, The,” 127. “Psyche,” 236, 239-40. “Puck,” 108. “Queen’s Page, The,” 117. “Question, The,” or “The Sphinx,” 181, 191.