When the country members came up to the capital, September had grown
to be an awful legend. The number of those killed was multiplied ten
times,[127] twenty times—number lost meaning. Paris seemed a city of
blood. Guides volunteered story after story. “Here, in the Abbaye, the
blood had risen so high”—they made a mark in the wall; “there, under
that tree, the massacres were planned by such and such a one”—any name
suited, sometimes it was Robespierre, sometimes Danton. The deputies came
from their little towns and from the fields, over seven hundred—pilgrims
from places where the pure enthusiasms of 1790 still lingered, where
even 1792 had brought no passion. They came, many of them for the first
time, bewildered in the enormous city; its noise confused them, its
crowds, its anger—“Yes; that was where the massacres were committed a
fortnight ago—we can believe it.” The Convention from its first day
seemed a battlefield—Paris defiant in the Mountain, and the Departments
silent with an angry fear in the plain and on the benches of the right.
And when the newcomers asked to be shown the group of deputies for Paris,
as men would ask to be shown lurking enemies or wild beasts, they would
have their gaze directed to that high place on the left where sat the
names that had terrified and fascinated them in the prints of their
country-sides.
There were no windows; the skylight, high above that deep well of a
room, sent an insufficient light downwards upon the foreheads, making
the features sharp and yet lending them a false gloom. That man with
the small squat body and the frog’s face was Marat; you could just see
his great vain mouth in the dim light. Those small, keen features, well
barbered and set up, the high forehead, the pointed bones of the cheek
and chin, stood for Robespierre. The light fell chiefly on the white of
his careful wig; his thin smile was in shadow. And who was that huge
figure, made larger by the darkness and carrying a head like Mirabeau?
They saw it moving when the others were fixed. He would speak to his
neighbours with heavy, sweeping gestures. They grew accustomed to the
half-light, and they could distinguish his face—the strong jaw, the
powerful movement of the lips, torn and misshapen though they were; the
rough, pitted skin, the small, direct, and deep-set eyes. Who was he? He
seemed to them the very incarnation of all the bloodshed and unreason
which they hated in Paris, a master of anarchy. It was Danton.
Public-domain text, read in full here on John Shaqi.
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