For what was Danton’s plan? He put into his new task the ability, the
ruse, the suppleness that he had only lost for a moment in the summer.
First, Hébert and the “enragés” must go—they were the vilest form of
the spirit that he perceived to be destroying the Republic. Then the
Committee must be very gradually weakened. In that task he hoped, vainly
enough, to make Robespierre his ally. And finally, the end of all his
scheme was the cessation of the Terror. He had created a dictatorship
for a specific purpose; that purpose was attained. Wattignies had been
won, Lyons captured; soon La Vendée was to be destroyed, and even Toulon
to fall. It was intolerable that a system abnormal and extreme, designed
to save the State, should be continued for the profit of a few theorists
or of a few madmen. How much had not his engine already done?—this
machine which, to the horror of its creator, had found a life of its own!
It had killed the Queen after a shocking trial; it had alienated what was
left of European sympathy; it had struck the Girondins, and Danton was
haunted by the inspired voice of Vergniaud singing the “Marseillaise”
upon the scaffold; it had run to massacre in the provinces. He feared
(and later his fears proved true at Nantes) that September might be
repeated with the added horror of legal forms. The Terror finally had
reopened the question that of all others might most easily destroy the
State. A handful of men had pretended to uproot Catholicism for ever,
and what Danton cursed as the “Masque Anti-Religieuse” had defiled Notre
Dame. This flood he was determined to turn back into the channels of
reason; he was going, without government or police or system, merely
by his voice and his ability, to realise the Revolution, to end the
dictatorship, and to begin the era of prosperity and of content.
Public-domain text, read in full here on John Shaqi.
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