As to the Cordeliers, on which the preceding note is written, the hall in
which their meetings were first held still exists (as we have said in the
text) under the title of Musée Dupuytren. The Church of the Cordeliers,
into which they afterwards moved, has disappeared, but the last locale
of the club (when the Municipality had turned them out of the church in
1791) still remains, and is to be discovered at No. 105 Rue Thionville.
Danton’s father-in-law had been master of a café on the Quai de l’École.
This house still remains. If I am not mistaken, it was altered slightly
during the restorations of the Second Empire. It is the house which now
stands at the south-western corner of the Place de l’École, and which
faces the quai on one side and the square on the other. The street and
quay outside M. Charpentier’s café was, however, somewhat oblique to
the modern street, and ran less east than west, more south-east than
north-west, than it does to-day.
The quay has been raised and the old fountain in the Place de l’École
destroyed. Otherwise the quarter is much the same. The café became famous
later for its draught players, a reputation that still continues.
III
NOTE ON THE SUPPOSED VENALITY OF DANTON
I will not go in this note into any of the general considerations which
have led the greater part of modern historians to reject the legend of
Danton’s venality. These general considerations are by far the strongest
arguments upon which we can rely in this matter, but I trust that the
character which I have attempted to draw in the text of the book will
furnish them in sufficiency.
Neither do I desire to insist in this note upon the unquestionable value
of the two principal modern authorities in England and in France (Mr.
Morse Stephens and M. Aulard), who both of them regard the question as
finally settled in Danton’s favour. I have insisted sufficiently upon
this in the text. What I shall attempt to do is to quote the contemporary
accusations, to determine how much reliance can be placed upon them, to
show their character, and to describe in what way and to what extent they
are explained by documents which have since come to light.
* * * * *
First of all, a list of those contemporaries who took his venality for
certain. It is very formidable.
Public-domain text, read in full here on John Shaqi.
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