Within, at one side, they saw a formless something swathed in oiled
canvas. The other half of the space was occupied by eighty or a
hundred vertical compartments, in each of which stood something
carefully enveloped in the same material.
"Well, for all the world if it doesn't look like a set of big
phonograph records!" exclaimed the man. He drew one of the objects out
and very carefully unwrapped it.
"Just what they are--records! On steel. The new Chalmers-Enemarck
process--new, that is, in 1917. So, then, that's a phonograph, eh?"
He pointed at the oiled canvas.
"Open it, quick, Allan!" Beatrice exclaimed. "If it _is_ a phonograph,
why, we can hear the very voices of the past, the dead, a full
thousand years ago!"
With trembling fingers Stern slit the canvas wrappings.
"What a treasure! What a find!" he exulted. "Look, Beta--see what
fortune has put into our hands!"
Even as he spoke he was lifting the great phonograph from the space
where, absolutely uninjured and intact, it had reposed for ten
centuries. A silver plate caught his eye. He paused to read:
METROPOLITAN OPERA HOUSE,
New York City.
This Phonograph and these Records were immured in the vault of this
building September 28, 1918, by the Philavox Society, to be opened in
the year 2000.
Non Pereat Memoria Musicae Nostrae.
"Let not the memory of our music perish!" he translated. "Why, I
remember well when these records were made and deposited in the
Metropolitan! A similar thing was done in Paris, you remember, and in
Berlin. But how does this machine come _here?_"
"Probably the expedition reached New York, after all, and decided to
transfer this treasure to a safer place where it might be absolutely
safe and dry," she suggested. "It's here, anyhow; that's the main
thing, and we've found it. What fortune!"
"It's lucky, all right enough," the man assented, setting the
magnificent machine down on the floor of the crypt. "So far as I can
see, the mechanism is absolutely all right in every way. They've even
put in a box of the special fiber needles for use on the steel plates,
Beta. Everything's provided for.
"Do you know, the expedition must have been a much larger one than we
thought? It was no child's play to invade the ruins of New York,
rescue all this, and transport it here, probably with savages dogging
their heels every step. Those certainly were determined, vigorous men,
and a goodly number at that. And the fight they must have put up in
the cathedral, defending their cache against the enemy, and dying for
it, must been terrifically dramatic!
"But all that's done and forgotten now, and we can only guess a bit of
it here and there. The tangible fact is this machine and these
records, Beatrice. They're real, and we've got them. And the quicker
we see what they have to tell us the better, eh?"
She clapped her hands with enthusiasm.
Public-domain text, read in full here on John Shaqi.
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