Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
‘Oh, Paris!’ exclaimed Nero, flinging his arm round the actor’s neck,
‘you alone are to be envied. You are a supreme artist. No one is
jealous of you. When I see you on the stage, moving the people at
your will to tears or to laughter, or kindling them to the most
delicious emotions--when I hear the roar of applause which greets you
as you stand forth in all your grace, and make the huge theatre ring
with your fine penetrating voice, I often wish we could change our
parts, and I be the actor, and you the Emperor.’
‘You mock a poor mummer, Cæsar,’ said Paris; ‘but if I am to amuse
you after the banquet to-night you must let me go and arrange
something with Aliturus.’
Nero was left alone with Tigellinus. He yawned wearily. ‘How tedious
all life is!’ he said. ‘Well, never mind, there is the banquet of the
night to look forward to.’
‘Yes,’ said Tigellinus, ‘and when we are heated with wine we will
wander out into the grounds; and in the caves and winding pathways
Petronius and Crispinilla have invented a new amusement for you.’
‘What is it?’
‘Do not ask me, Cæsar, and you will all the more enjoy its novelty.’
‘Yes, but our time here is rapidly drawing to a close, and then comes
Rome again, and all the boredom of the Senate, and of hearing causes,
and entertaining dull people of consequence. And there I must more or
less play at propriety.’
‘Why must you, Cæsar? Cannot you do exactly as you like? Who is there
to question you?’
‘My mother, Agrippina, if no one else.’
‘You have only one reason to fear the Augusta.’
‘What is that?’
‘Because, Cæsar, as I have already warned you, she is making much of
Britannicus. I have reason to believe that she is also plotting to
secure the elevation of Rubellius Plautus or Sulla. She is not at all
too old to marry either of them, and both of them have imperial blood
in their veins.’
‘Rubellius Plautus?’ asked Nero; ‘why, he is a peaceful pedant. And
that miserable creature Sulla cares for nothing but his dinner.’
‘We shall see in time,’ said Tigellinus; ‘but meanwhile, so long as
Britannicus lives--’
‘Finish your sentence.’
‘So long as Britannicus lives, Nero is not safe.’
Nero sank into a gloomy reverie. He had not suspected that the
dark-eyed adventurer had designs as deep as those of Sejanus himself.
That guilty and intriguing minister of Tiberius was only a Roman
knight, and the whole family of Germanicus, as well as the son and
the grandson of Drusus, stood in the direct line of descent as heirs
to the throne. Yet he had for years worked on with the deliberate
intention of clearing every one of them from his path, and climbing
to that throne himself.
Public-domain text, read in full here on John Shaqi.
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