Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Pudens and Nereus carried back the still half-unconscious boy into
the house of Pomponia, where his sister awaited him. Octavia was
alarmed at the wildness of his look, but the fresh air had already
revived him. ‘I am quite well,’ he said, as the Empress bent
anxiously over him, ‘but I am tired, and should like to be silent.
Let us go home, Octavia.’
‘The escort is waiting,’ said Pudens.
So they bade farewell to Pomponia, and the soldiers saw them safely
to the Palace.
When they had started, Claudia said: ‘Oh, Pomponia, while he was at
the gathering the Power came upon him; he seemed scarcely able to
resist it; but for his fainting I believe that he would have spoken
with the tongue!’
Pomponia clasped her hands, and bowed her head in silent prayer.
CHAPTER XXII
_BRITANNICUS AND HIS SONG_
‘Even then
The princely blood flows in his cheek, he sweats,
Strains his young nerves, and puts himself in posture.’
SHAKESPEARE, _Cymbeline_, iii. 3.
Nero was chary of showing his bruised face. He daily smeared it with
the juice of an herb called _thapsia_ from the island of Thapsos
where it was found, and with a mixture of wax and frankincense,
but it retained for some days the marks of the buffet which he had
received from the arm of Pudens. From Octavia he did not care to
conceal either that or any other disgrace. He had reduced his unhappy
girl-bride to such a condition that she dared ask him no question.
From Agrippina he would gladly have concealed it, but he had been
unable as yet to break the habit of paying her a daily visit.
Intensely miserable was that visit to them both, and, except when
Nero chose to bring his friends and attendants with him, the
salutations often ended with the stormiest scenes.
They did on this occasion.
The Augusta at once noticed the bruise on Nero’s cheek, and she
was perfectly aware of the cause of it; for she had not sunk so
completely out of the old habits of power as not to have spies in
her pay who kept her well informed of the Emperor’s proceedings.
Supremely wretched, but even in her wretchedness agitated by the
furies of pride and passion, she had scarcely received his cold kiss
when she began to taunt her son.
‘Cæsar looks gallantly to-day,’ she said; ‘for all the world like
some clumsy gladiator who has been hit while practising with wooden
foils.’
Nero maintained a sulky silence.
She added: ‘No doubt it is as worthy of a Roman Emperor to roam about
at night and join in street brawls with slaves as it is for him to
sing, and write verses, and dance on the stage.’
‘How do you know that I have roamed the streets?’
Unwittingly she had betrayed herself, but in an instant she recovered
from her confusion.
‘What Otho and your other boon companions do--such as they are--is
notorious; and when Cæsar has a black eye the event is hard to
account for in any ordinary way.’
Public-domain text, read in full here on John Shaqi.
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