Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
‘Go, Tryphæna,’ said Octavia, deeply moved. ‘I would talk with my
brother alone.’
‘A Christian writing!’ said Britannicus again, as the slave-girl
quietly glided out of the room. ‘Who wrote it?’
‘Tryphæna says it is part of a letter written to Christians, who
are scattered everywhere, by a fisherman, Peter of Galilee, who,
she says, was one of the apostles of Christus.’
‘Octavia,’ said Britannicus, ‘I feel as if voices out of heaven
were calling me. I feel as if this unknown Christus were drawing me
irresistibly to Himself. It is a message to me--and a message before
my death.’
‘Your death, Britannicus?’ said the Empress, starting, and turning
pale. ‘Oh, withdraw those ill-omened words.’
‘Do not fear omens, Octavia. But you must hear what has happened to
me.’
‘You have been at the Saturnalitian feast, and you are soon to
lay aside the golden ball and the embroidered toga,’ said Octavia,
proudly; ‘and very well you will look in your new manly toga and the
purple tunic underneath it.’
‘Yes, but it reminds me of Homer. It is a “purple death,” as
Alexander the Great called it.’
‘Why are your thoughts so full of gloom?’ asked his sister, pushing
back the hair from his forehead, and looking into his face.
He told her all that had happened that night. She saw the fatal
significance of what had occurred.
‘Oh!’ she exclaimed, sobbing, ‘the gods are too cruel. What have we
done that they should thus afflict our innocence? I lift up my hands
against them.’
‘Hush, Octavia! All these ridiculous and polluted deities--who
believes in them any longer? But they represent the Divine, and what
the Divine does must be for some good end, and we must breast the
storm like Romans and like rulers, if we cannot reach the peace of
which this poor Christian fisherman has written.’
‘Our mother disgraced and slain; our father murdered; ourselves
surrounded with perils; Nero on the throne. Oh, Britannicus! wherein
have we offended?’
‘We have not offended, my Octavia. The good suffer as well as the
bad. The good are often made better by their sufferings.’
‘Oh, my brother! my brother!’ sobbed Octavia. ‘I will not spare you.
I cannot part from you. I have no one left but you. You shall not,
you must not, die.’
He gently disengaged the arms of his sister from his neck, and kissed
her cheek.
‘I must not linger here any longer to-night,’ he said. ‘Farewell;
not, I trust, forever, though I see that Nero has dismissed our
friend Pudens, and put an ill-looking stranger in his place. But,
Octavia, something--some voice like that of a god within me--tells
me that it will be happier to die than to live.’
* * * * *
Public-domain text, read in full here on John Shaqi.
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