Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Agrippina was in a ferment of alarm. She could scarcely believe her
ears. That ready lie about the epilepsy! She knew--and many of the
guests knew--that Britannicus was a fine strong lad, who had never
had an epileptic attack in his life. One thing only could have
happened. Britannicus, in whom rested the last hopes of her vengeance
and her ambition, must have been poisoned by his brother. Infernal
gods! was it possible? Could this have been the deed of that youth
whom it seemed but yesterday that she had clasped to her bosom as a
lovely, rosy, smiling child? Panic, consternation seized her. ‘How
long,’ she thought, ‘will he abstain from the prophesied murder
of me, his mother?’ She panted; she shuddered in every limb; she
required all her efforts not to faint; she grew white and red by
turns, and those who were watching her saw the cup of wine which
she seized shake so violently in her trembling hand that she spilled
half its contents over her bosom.
‘She, at least, is as innocent of this as Octavia herself,’ whispered
Seneca to Burrus. ‘But, oh! horror! where will these things end?’
Octavia looked as though she had been turned to marble. She spoke no
word; she made no sign. Agrippina had tried in vain to prevent her
speaking countenance from betraying the violence of her emotions; but
Octavia, young as she still was, and little more than a child, had
been taught from her earliest years to hide her emotions under a mask
of impassibility; and, indeed, the blow which had thus fallen upon
her was beyond her power to realise. The awful grief struck her dumb.
One shrinking motion, one stifled scream, and she reclined there
as though she were dead--as pale and as motionless, seeing nothing,
hearing nothing, conscious of nothing, her white cheek looking all
the more ghastly from the crimson roses which circled her dark
tresses and fell twining over her fair neck.
But how should the mirth of the banquet be resumed? The stereotyped
smile on the features of Seneca looked like a grin of anguish.
The brow of Pætus Thrasea was dark as a thunder-cloud. Clemens
and several of the prince’s boyish friends were weeping audibly
and uncontrollably, while Titus, already feeling ill as well as
terrified, was sobbing with his head on the table. Nero himself in
vain attempted a fitful hilarity, which could wake no echo among
guests of whom many--
‘Like the Ithacensian suitors of old time,
Stared with great eyes, and laughed with alien lips,
And knew not what they meant.’
So dense a cloud fell over their minds that it was a relief to all
when, without waiting for the termination of the banquet, Nero
dismissed his guests, availing himself of the excuse that the
comitial disease had always been regarded as an evil omen, and that,
though he hoped his brother’s attack would prove but slight, he saw
how deeply it had affected the spirits of his friends.
They had come to that superb feast in pride and gaiety; they hurried
home in horror and alarm.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account