Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
The obolus for Charon was put under his tongue; the fair young body
was arrayed in its finest robe, was laid on a bier, and was carried
to the vestibule with its feet towards the door; and as it lay there
Titus brought in his hand a wreath of lilies, which he had begged
from the keeper of the exotic flowers, and placed it on the innocent
forehead of his friend. He turned away with the words, which could
scarcely make their way through sobs, ‘Farewell! forever farewell!’
But he never forgot that boyish affection; and long years after, when
he was Emperor, he placed in the Palace a statue of Britannicus in
gold, and at solemn processions he had an equestrian statuette of
ivory carried before him which represented the young prince whose
love to him had been far truer and closer than that of his own
brother.
Only for one instant did Nero venture to look on his handiwork. He
came into the vestibule in his festal robes, his eyes heavy, the
garland still on his dishevelled hair, accompanied by Tigellinus
and Senecio.
‘I suppose he died in the fit?’ he said to one of the slaves.
‘He breathed his last,’ answered the man, ‘within an hour of being
carried from the feast.’
Something disquieted Nero. Furtively pointing his finger towards the
dead boy, he said something to Tigellinus.
‘A little chalk will set that right,’ whispered Tigellinus in reply,
and he gave an order into the ear of his confidential slave. Leave
the corpse a moment,’ he said aloud to the attendants; ‘the Emperor
wishes to take a last look at his brother.’
The slave of Tigellinus brought a piece of chalk; and Nero, with his
own hand, chalked over some livid patches on the dead boy’s face,
which already betrayed the horrible virulence of the poison.
‘Why linger in the charnel-house?’ said Senecio affectedly. ‘Cæsar,
may we not have some more wine to refresh our sorrow?’
They turned away, and, before they were outside the hall, a light
laugh woke a shuddering echo along the fretted roof.
The bearers were on the point of lifting the bier when Agrippina
entered. The dullest of the spectators could see that there was
nothing feigned in her anguish as she wept and tore her hair. She
grieved for Britannicus, whom she had so irreparably wronged, but
hers was a wild and selfish grief, the grief of rage and frustrated
purposes. She had built upon this boy’s life to keep her son in
terror of her influence. She saw now of what crimes Nero had already
become capable. He who in so brief a space had developed into a
fratricide, how long would it be ere he would spare the life of an
obnoxious mother? She felt, even then, in a bitterness of soul which
could not be expressed, that even-handed justice was commending the
ingredients of the poisoned chalice to her own lips.
Public-domain text, read in full here on John Shaqi.
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