Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
It would be useless to trump up the old charges that Agrippina
mourned the murder of Britannicus, or spread abroad the wrongs of
Octavia. She determined to devise something entirely new, and to
charge Agrippina with the design of marrying and forming a conspiracy
with Rubellius Plautus, who, like Nero, was, on the mother’s side, a
great-great-grandson of the deified Augustus. Silana sent two of her
freedmen, Iturius and Calvisius, with this intelligence to Atimetus,
a freedman of Domitia, Nero’s aunt. Atimetus had once been a
fellow-slave with Paris. He went to his old friend, and urged him
to go at once to Nero, and to denounce the supposed plot with all
his consummate vehemence and skill.
The actor was not naturally a villain, but he had been trained in an
abominable school, and had erased the words ‘ought’ and ‘ought not’
from his vocabulary as completely as most of his contemporaries.
That night, at a late hour, he hurried to the Emperor, not in the
glittering dress which usually set off his perfect beauty, but in
dark and disordered array. His familiarity with Nero procured him
at all times a ready entrance into the Palace. He found the Emperor
still carousing amid his favourites, and he was received with a burst
of welcome by the flushed and full-fed guests.
‘Now this is good of you, Paris,’ said Nero. ‘You alone were wanting
to our mirth. Come, brim this crystal vase with our best Falernian,
and then let us see a spectacle which would thrill the Muses and the
Graces even if Apollo were with them. But--can this be Paris?--our
bright, gay, lovely Paris? Why, what is the matter?’
‘Matter enough,’ said Paris, in such accents of woe, and with such
a flood of tears, that the guests could not help weeping with him.
‘Dare I speak, Cæsar?’
‘Tell us all,’ said Nero, raising himself on his elbow in agitation.
‘What has happened? Have the legions revolted? Is the prætorium in an
uproar?’
‘Not yet,’ said Paris; ‘but--Agrippina--’
‘Ha!’ said Nero. ‘Go on’--for the actor’s voice seemed to be
speechless with emotion.
‘Agrippina--and--Rubellius Plautus--’
Nero was listening with painful interest; and, pretending to recover
himself with a great effort, Paris told them the fictitious plot,
and succeeded in rousing the Emperor to such a pitch of terror that
he started from his couch and tore his hair.
‘Agrippina shall die!’ he exclaimed; ‘and Rubellius Plautus shall
die. Here, give me my tablets. Despatch instant orders for their
arrest and execution. And send for Burrus--no! he is the creature of
my mother; she made him Prætorian Præfect. My foster-brother Cæcina
Tuscus shall command the Prætorians, and Burrus shall die. Quick,
quick, send for Seneca; not a moment is to be lost!’
Public-domain text, read in full here on John Shaqi.
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