Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
‘Domitia--and her slave concubine!’ said Agrippina. ‘Of him I deign
no word; but she--what has she been doing all these years? While I
was arranging the adoption of Nero, his marriage with Octavia, his
promotion to the proconsular dignity, his nomination as a future
Consul, all that led to his imperial elevation--what was _she_ doing?
Improving her fishponds! And now she wants to rob me of my Nero,
and for that purpose gets up a pantomime with her paramour and her
dancer! Pray, is that all?’
‘The sources of the information were Iturius and Calvisius.’
‘Iturius and Calvisius!--ex-slaves, spendthrifts, debauchees, the
scum of the earth, who want to repair their squalid bankruptcies by
the gain of turning informers. They are nobodies; poor pieces on the
draughts-board. Who moved them?’
‘Junia Silana.’
‘Junia Silana! Ah! now I understand it all--the whole vile plot from
beginning to end! Silana--false wife, false friend, evil woman--what
does she know of the sacredness of motherhood? Children cannot be got
rid of by their mother so easily as lovers are by an adulteress. So!
I am to be branded with the fictitious infamy of parricide, and Nero
with its actual guilt, that two broken-down freedmen may repay their
debts to the old woman their mistress?
‘And you, sirs,’ she said, raising herself to the full height of her
stature, ‘ought you not to blush for the sorry part you have played?
Instead of repaying me the gratitude which you owe to one who
recalled you, Seneca, from your disgraceful exile, and raised
you, Burrus, from the dust--instead of making the Emperor ashamed
of attaching a feather’s-weight of importance to this paralytic
comedy of pantomimes, scoundrels, and rancorous old women--you have
encouraged him to try and humiliate me! I am ashamed of you,’ she
cried, with the imperious gesture which had often made bold men
tremble; ‘for as for these--gentlemen’--and she glanced at the
freedmen--‘they, of course, must do as they are bid. And so, _such_
are my accusers! Who will bear witness that I have ever tampered
with the city cohorts? who that I have intrigued in the provinces?
who that I have bribed one slave or one freedman? They charge me
with mourning for the death of Britannicus. Why, had Britannicus
become emperor, whose head would have fallen sooner than that of
his mother’s enemy and his own? And Rubellius Plautus--if he were
emperor--would he be able for a single month to protect me from
accusers who, alas! would be able to charge me, not with the
incautious freedom of a mother’s indignant utterance, but with deeds
from which I can be absolved by no one but that son for whose sake
they were committed.’
For one moment her nature broke down under the rush of her emotion,
and her glowing cheek was bathed in tears; but, recovering herself
before she could dash the tears aside, she repudiated the awkward
attempts at consolation offered by her judges, who themselves were
deeply moved.
Public-domain text, read in full here on John Shaqi.
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