Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Before he joined his base troupe of companions he looked back for a
moment. There, in the blinding sunlight of the Italian noon, stood
the cross, accursed of God and man, the gibbet of the malefactor,
the infamy of the slave, confronting the eye of heaven with a sight
which, no less than that of the Thyestean banquet, might have made
the sun itself turn dark; and there, upon it, a mass of living agony,
conscious, and burning with thirst, and blinded with glare, and
unpitied, and burdened with an awful load of guilt, hung the human
victim who had once played an innocent child beside his mother’s
knee. The soul of Onesimus was harrowed as he gazed on that awful
insult to humanity. The existence of crucifixion showed how far the
shadow had advanced on the dial-plate of Rome’s history. That form
of punishment--so cynical, so ruthless, so abhorrent, which less
than three centuries later was to be abolished by the indignation of
mankind--had been not indigenous in the Western world. It had only
been borrowed by Rome, in the days of her commencing corruption, from
the dark and cruel East. That such a spectacle should be permitted to
the gaze of women and little children; that it should indurate still
further the callosity of hardened hearts, was in itself a token of
degeneracy. The heart of Onesimus was full even to bursting as he saw
that fearful instrument of inhuman vengeance standing there by the
roadside among the darting lizards and chirping cicalas and murmuring
bees; and the goats stared at it with glassy eyes as they cropped the
luxuriant grass at the very feet of the victim in whom the majestic
ideal of manhood was thus horribly laughed to scorn.
Onesimus, as he finally turned away, felt it more degrading than
ever to continue his present life. Its plenty and coarse comfort,
accompanied as it was by the necessity of spending his days with
these sexless and lying vagabonds, filled him with a sense of
nameless humiliation. Yet what could he do? What other choice had he
save to starve or to commit suicide? For then he remembered with a
start that he was twice a thief, twice a fugitive, almost a murderer;
that he had betrayed the trust reposed in him by Acte; that by his
mad drunkenness he had insulted the majesty of Nero. In every sense
even his fellow-slaves would have called him _furcifer_. And if he
were once detected, in spite of the dye with which he had stained
his face, and the blond wig by which the Galli had tried at once to
conceal his identity and to enhance his beauty, what awaited him? Was
he, too, destined to feed the wild birds upon the cross?
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account