Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
The career and character of Nero grew darker every year, for every
year more fully revealed to him the awful absoluteness of his
autocracy. No one dreamed of disputing his will. Every desire,
however frivolous, however shameful, however immense, was instantly
gratified. His Court was prolific of the vilest characters. There was
scarcely a man near his person who did not daily extol his power, his
wit, his accomplishments, his beauty, his divinity. ‘Do you not yet
know that you are Cæsar?’ they whispered to him if he hesitated for a
moment to commit some deadly crime, or plunge into some unheard-of
prodigality.
All things went on much as usual in the corrupt, trembling world of
Rome. To-day some wealthy nobleman would commit suicide, amid the
laudations of his friends, out of utter weariness of life. To-morrow
all Rome would be talking of the trial of some provincial governor
who had gorged himself with the rapine of a wealthy province.
Or everybody would be whispering a series of witty pasquinades,
attributed to Antistius Sosianus or Fabricius Veiento, full of
lacerating innuendoes, aimed now at the Emperor and now at some
prominent senator. Pætus Thrasea and the peril he incurred by his
opposition to the Court furnished a frequent subject of conversation,
both to his Stoic admirers and to the rabble of venal senators, who
cordially hated him. ‘To put Thrasea to death would be to slay virtue
itself,’ said the graver citizens. ‘He is a pompous sham, who wants
taking down,’ said the gilded youth.
It was a fearful comment on the wretchedness of the times that most
of the prominent thinkers and statesmen looked on self-destruction as
the sole path to freedom, and the best boon of heaven. They thought
it a proof of philosophic heroism when a man died calmly by his own
hand, though the act involves no more courage than the vilest of
mankind can evince. Seneca tells with rapture the story of the death
of Julius Canus. The Emperor Gaius had said to him, after a quarrel,
‘That you may not deceive yourself, I have ordered you to be led
to execution.’ ‘I thank you, excellent prince,’ said Canus. Ten
days passed, and Canus spent them without the smallest sign of
trepidation, awaiting the tyrant’s mandate. When the centurion
arrived at his house with the order that he was to die, he was
playing at draughts. He first counted the pieces, and then said
with a smile to his friend, ‘Mind you don’t claim the victory when
I am dead. You, centurion, will be the witness that I have one piece
more than he has.’ Observing the grief of his friends, he said, ‘Why
are you sad? You are perplexed about the question whether souls are
immortal or not. In a moment or two I shall know. If I can come back
I will tell you.’[70]
Public-domain text, read in full here on John Shaqi.
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