Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
Nero saw but little of Agrippina. She spent much of her time at one
or other of her numerous villas, and rarely occupied the palace of
Antonia at Rome. Yet he felt sure that during her sullen isolation
she had never abandoned her designs. She might seem to be living
in retirement, busy with the improvement of her gardens, or amusing
herself with her talking starlings and nightingales; but he knew her
too well to imagine that she acquiesced in a defeat which she might
yet retrieve. She was but forty-two years old, and in past days
she had shown that she knew how to wait. It was known that she was
writing her own memoirs, and that their scandalous pages abounded in
accusations against others, so dark as to render men more credulous
of the worst accusations which were launched against herself. How
could Nero tell what might be passing between her and Octavia when
they exchanged visits? His timid and conscience-stricken nature often
imagined that she might be intriguing with Faustus Sulla or Rubellius
Plautus, both of whom, like himself, were scions of the imperial
family of the Cæsars. He saw in her the one fatal obstacle to the
fulfilment of his desires.
And she, in those grim years of terror, knew well that Poppæa was
no gentle girl like Acte, but would strive to trample on her rivals
as Agrippina herself had done in former years. The struggle against
Poppæa and her beauty and her ambition would be a struggle of life
and death. And, indeed, the bitterness of death was almost past, for
her son stooped to the most ignoble methods for rendering her life
miserable, and humiliating her even to the dust. At Rome he set on
his emissaries to harass her with lawsuits; and, stooping to yet
more vulgar baseness, he paid the lowest of the populace to annoy her
with coarse jests and infamous reproaches, which they shouted at her
from boat or roadside, when she was resting at her country houses.
An attempt was made to poison her at a banquet given by Otho; but
Agrippina was wary and abstemious. She had watchful slaves and
freedmen near her person, and the attempt failed. Nero persuaded
himself that his mother was watching him like a tiger-cat in act to
spring. It was not only Poppæa who inflamed his hatred. Tigellinus
also had his own designs. He suggested that Otho should first be got
out of the way, and then that the death of Agrippina should leave the
path open for Nero’s union with the siren who had mastered his soul.
Octavia, without Agrippina to help her, was hardly considered in the
light of an obstacle. She could be swept aside with ease.
The first step was soon taken. Otho was sent as governor to
Lusitania. So long as he was there he could not stand in Nero’s
way. The exile cherished his love for Poppæa to the last; and during
his brief spell of empire he induced the Senate to honour her with
statues. But he never saw her more.
Public-domain text, read in full here on John Shaqi.
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