Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
By this time Nero had accustomed himself to the thought of getting
rid of his mother by treacherous violence. His five years of empire
had inspired him with audacity and confidence. His passion for Poppæa
burned with ever fiercer flame. His hatred for Agrippina, as the
main obstacle in the path of his desires, grew daily more sullen;
and Poppæa had aroused his fears by persuading him that his mother
was plotting against his life. Since poison had failed, and he
shrank from using the dagger, he had determined to follow the deadly
suggestion of Tigellinus, and to make it appear that the Augusta had
perished in an accident at sea.
To prepare the way for his purpose, he began to express his
determination to be reconciled with his mother. ‘The anger of
parents,’ he said, ‘must be cheerfully borne. It is my duty as a
son to soothe my mother’s irritation. I long to be on good terms
with her once more.’ Again and again he repeated these sentiments
to various persons, and he took care that they should reach the ears
of his mother. Octavia herself, grateful for the efforts of Agrippina
on her behalf, told the Augusta that Nero’s feelings seemed to
be undergoing a change, and that perhaps he would restore to
her, spontaneously, her former honours. The hope kindled by this
intelligence fell on the last days of the Empress-mother like a ray
of cruel sunshine out of the thunder-clouds which had so long been
gathering around her. It was natural that in her misery she should be
credulous of good tidings, and perhaps her heart was softened to her
son by the fact that she was now living in the villa at Antium where
she had given him birth, and in which nearly every room recalled the
memories of his childish brightness, and the winning trustfulness
of a heart as yet unstained, of a beauty as yet unshadowed by evil
secrets and base desires. The villa was full of splendour. The Apollo
Belvedere and the Fighting Gladiator were but two of the many statues
which adorned it. But what was art, what was splendour to a mind
diseased? She found more happiness in the tame birds which would
settle on her finger, and the yellow brown-marbled lampreys which
came to feed out of her hand.
On March 18, the day before the Feast of Minerva began, her heart
throbbed with pleasure to receive a delightful letter from her
son. Couched in the most loving terms, it conveyed to her a genial
invitation to come to him at Baiæ, and there to spend, in due
mirth and feast, the first day of the festival. ‘Fancy that I am a
schoolboy once more,’ wrote Nero, ‘and that you, my loving mother,
are welcoming me home for my holidays.’ How could Agrippina help
indulging the hope that better days had at last begun to dawn? The
next morning, gladder than she had ever been since her husband’s
murder, she made her way through the grounds of her villa to the
little haven where was moored the Liburnian galley which she used
for excursions along the shore.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account