Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
But she felt an unaccountable unwillingness to go on board the
untried vessel. She had heard mysterious hints of danger, too
impalpable to be understood, but sufficient to awaken a dim
suspicion. Her astrologer, whom she again consulted, vaguely
indicated that a storm might arise, and it might be as well for
her to go to Baiæ by the road. These faint surmises were emphasised
by the arbitrary foreboding of her own heart, which every now and
then seemed to pause in its beating, and to chill her happiness with
the suspense of the unknown. In vain she tried to dispel these vague
spiritual fears. At the last moment she ordered her litter to be
prepared, and, making some excuse about the better protection of her
robes, had herself conveyed to Baiæ by land.
She was received with open arms from the moment that, with queenly
step, she descended from her litter. The guests, and the many slaves,
all in their finest array, were grouped around the entrance, and
broke into a respectful murmur of greeting and applause as the gleam
of the westering sun flashed on the diamonds, emeralds, and sapphires
which encircled her neck and arms and thickly encrusted the broidery
of her inner robe. The assembled nobles and courtiers bowed low, the
attendants almost prostrated themselves as she advanced towards her
son. He seemed to be in his brightest mood of hilarity and affection.
He welcomed her with playful sentences and attractive tenderness. He
himself conducted her to the banquet, which, to add to its delight,
was spread in a room where the couches were so arranged that each
guest could have a full view on one side of that ‘golden shore of
happy Venus,’ proud with the gifts of nature and of art; and, on
the other side, of the river with its painted shallops and merry
holiday-makers. No refinement of luxury or beauty was lacking to the
banquet. Nero assured her--but she knew that no one could believe
a word he said--he had himself caught the fish by a line from the
window beneath which the sea-waves flowed. Then there were plates of
melimela, sweet as honeycombs, glowing rosily from their baskets of
silver filagree, and olives from Picenum, and cinnamon from the shop
of Niceros in Rome, which was so choice that, as he solemnly assured
his wealthy purchasers, it could only be procured from the nest of
the Phœnix.
Nero insisted that Agrippina should occupy the seat of honour at the
table above himself. When she gently remonstrated, he said, ‘To whom
is the precedence due but to the mother who gave me both my life and
my Empire?’ Never had he seemed to her to shine with more princely
charm than at that entertainment! He exerted himself to display all
his geniality and all his accomplishments. He bade her look at the
sea, and quoted some lines of young Martial to her:
‘The wavelets wake from their purple sleep,
The soft breeze ruffles the dimpling deep,
Gently the painted shallops glide,
Borne by the breeze o’er the rippling tide.’
Public-domain text, read in full here on John Shaqi.
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