Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
If there had been a spark of nobleness in the Roman world, the
indignation of a people’s moral sense might have sprung to arms
and smitten the tyrant while he was yet red-handed from his crime.
Nothing was farther from the general intention. The universal
desire was to ‘skin and film the ulcerous place’ with adulation and
hypocrisy. Men, not naturally evil or case-hardened, were carried
away by the tide of complaisance to the imperial murderer. As though
to leave no chance for any feelings of penitence to work, all classes
began to flood him with congratulations. The fears which at the
moment he half mistook for remorse vanished like the early dew, for
society seized upon the convention that Agrippina, detected in a plot
against the life of her son, had been justly executed. The tribunes
and centurions of the Prætorians, Burrus at their head, came to
Nero that morning, poured their felicitations upon him, pressed
his hands, expressed their effusive joy that he had escaped from so
sudden a peril created by his mother’s crime. His friends crowded to
the temples to thank the gods for his safety. There was scarcely a
town of Campania which did not express its joy by sending deputations
and offering victims. Distant provinces caught the infection, and
Cisalpine and Transalpine Gaul surpassed all the rest by the fulsome
entreaty which they sent by their ambassador, Julius Africanus, ‘that
Nero would endure his felicity with fortitude!’ Certainly it did not
seem as if there were much cause for fear! In a few days Nero became
an adept at the counter-hypocrisy with which he feigned to weep over
the fate of his mother, and to be grieved by his own deliverance!
But places cannot change their aspect as do the looks of men. From
the windows and gardens of Nero’s villa were always visible the
sea which he had attempted to pollute, the long line of shore which
he had stained with a mother’s blood. The aspect of nature in that
lovely spot had lost its fascination. It seemed to be eloquent with
mute reproach. And what were those sounds which assailed his ears at
the dead of night? What meant that blast of a solitary trumpet, blown
by no earthly breath, from the promontory of Misenum? What meant
those ghostly wailings which seemed to shriek around his mother’s
grave? He could not endure this haunted place. He fled to Naples.
Public-domain text, read in full here on John Shaqi.
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