Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic TaleFarrar, F. W. (Frederic William)
History
Darkness and Dawn; Or, Scenes in the Days of Nero. An Historic Tale
Farrar, F. W. (Frederic William)
Rome -- History -- Nero, 54-68 -- Fiction
That he did so was not his own fault. He too was a slave of Pedanius,
who had cruelly degraded him to this place in the amphitheatre
as a punishment for a trivial offence, followed by an outbreak
of resentment, when, in his younger days, he had been a favourite
cup-bearer of his master. It would be useless to aver that his
character had not been somewhat brutalised by the hideous duties
forced upon him; but he regarded himself as the victim of necessity,
and therefore as not responsible--a view not without a grim element
of truth in the case of a pagan slave. Seeing Syra as she lingered
about the amphitheatre, he had been struck by her helpless prettiness,
and she had learnt to admire a face which still retained its good
looks, if not its good expression. They fell in love with each other;
but when she was forced to tell him of her misfortune, he declared
all question of marriage to be impossible unless she were cured
of her comitial disease. He had himself persuaded her to come this
evening to the spoliarium after the games, and to try the remedy
which alone seemed to offer any chance of success.
But poor Syra dared not go alone through the darkening, crowded, and
vicious streets, and thought that Junia, as she was now a freedwoman,
could protect her. Junia was always actuated by the principle as well
as by the instinct of kindness. Not guessing the object of the girl’s
errand, but knowing her hapless love for Phlegon, she consented to
accompany her. It cost her a pang to leave her father on that happy
evening, but she knew that with him, no less than with herself, the
claims of charity were paramount, and all the more towards those who
seemed to need it most.
‘Could you find no better youth to love than one of so dire a trade,
Syra?’ she gently asked the girl, as, with their heads covered with
shawls, they went in the deepening dusk down the Via Sacra towards
the amphitheatre.
‘It is not his fault, Junia. He hates it. His heart is naturally
pitiful. He was brought up in the midst of luxury in the house of
Pedanius, where he was a favourite. But Pedanius is a wretch, and
once he treated Phlegon so cruelly that, in a fit of rage, the boy
struck him. He might have been crucified for it, or flung to the
lampreys; but, instead of that, Pedanius made him take to this work
in the amphitheatre. How else could he live?’
‘There are some lives worse than death,’ said Junia.
‘Well,’ answered Syra; ‘many a time he has longed to stab himself
with his own sword; but ... he loves me.’
‘I did not mean that he should have killed himself,’ said Junia;
‘none of us have a right to fling away the life which God gives us.
I meant that it would be worth while facing any risk to escape doing
wrong.’
‘Nothing can be wrong which our masters make us do,’ answered Syra
simply; and Junia could only sigh, for she knew that this was an
axiom with both slaves and their masters.
Public-domain text, read in full here on John Shaqi.
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